Meera Mukherjee
(1923 - 1998)
Annapurna
"As the fires keep burning, for the 10 or 12 hours that a piece is being fired, I am alert and trying to keep it alive. Sculpture thus becomes a complete, total process. It is like nurturing and nourishing, like making a human being and bringing him to life." - MEERA MUKHERJEE A deep interest in traditional sculpting traditions led Meera Mukherjee to travel across India in the 1960s and 1970s and learn about metalworking...
"As the fires keep burning, for the 10 or 12 hours that a piece is being fired, I am alert and trying to keep it alive. Sculpture thus becomes a complete, total process. It is like nurturing and nourishing, like making a human being and bringing him to life." - MEERA MUKHERJEE A deep interest in traditional sculpting traditions led Meera Mukherjee to travel across India in the 1960s and 1970s and learn about metalworking techniques. During this time, she apprenticed with Bastar sculptors in Madhya Pradesh, where she learnt the Dhokra method of casting-also known as cire perdue or lost wax-an ancient technique that has existed in India for nearly 4,500 years. Mukherjee eventually invented her own sculpting process, first creating her work in wax, then building it up and adding surface decoration using wax strips and rolls. Despite the toughness of the material, her cast bronze sculptures exude an uncharacteristic delicacy. Mukherjee's art conveys a deep spiritual bond to her roots, history and culture. Her sculptures often depict rural scenes of labourers, artisans and craftspeople engaged in daily work. "Meera's world in bronze is full of movement. The viewers' eyes do not only follow the flowing contours of the figures but also the patterns, lineatures and ornamentations animating the surfaces of her bronze sculptures... Casting into form such volatile phenomenon such as music and singing or spiritual energies, and yet render them tangible to give them the impression of constant flowing and transiency of each shape is one of Meera Mukherjee's great achievements." (Dr Clelia Segieth, Remembering Meera Mukherjee, Bernried: Buchheim Museum, 2012, p. 8)
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Lot
17
of
40
WINTER LIVE AUCTION: MODERN INDIAN ART
8 DECEMBER 2020
Estimate
Rs 30,00,000 - 50,00,000
$41,100 - 68,495
Winning Bid
Rs 96,00,000
$131,507
(Inclusive of Buyer's Premium)
ARTWORK DETAILS
Meera Mukherjee
Annapurna
Bronze
Height: 15.75 in (40.2 cm) Width: 11 in (28 cm) Depth: 9.25 in (23.8 cm)
This sculpture comes with a detachable base measuring 4 x 11 x 9.5 in (10.2 x 28.1 x 24.3 cm)
PROVENANCE Akar Prakar, Kolkata
PUBLISHED Geeti Sen, Nandini Ghosh, Maitreyi Chatterjee, et al, Meera Mukherjee: Purity of Vision , Kolkata: Akar Prakar, in collaboration with Emami Art, supported by Raza Foundation, in association with Mapin Publishing, 2018, p. 57 (illustrated)
Category: Sculpture
Style: Figurative