Zarina Hashmi
(1937 - 2020)
"Black for me is ink. And creating for me is about understanding the heart of darkness in a world which is black and white." - ZARINA Zarina Hashmi-or simply 'Zarina' as she prefers to be known-has always engaged with the politics of home, space and migration. Raised in Aligarh, India, Zarina travelled extensively through Europe, the Middle East, Latin America and Asia, and her works reflect this migratory lifestyle and the...
"Black for me is ink. And creating for me is about understanding the heart of darkness in a world which is black and white." - ZARINA Zarina Hashmi-or simply 'Zarina' as she prefers to be known-has always engaged with the politics of home, space and migration. Raised in Aligarh, India, Zarina travelled extensively through Europe, the Middle East, Latin America and Asia, and her works reflect this migratory lifestyle and the multiple meanings of home she derived in the many cities and towns she lived in. Her body of work challenges familiar locations like 'country', the ways in which they are bordered, delimited and traversed, and the feelings and memories that they evoke in us. Her minimalist prints use these locations to construct new geographies, imbuing them with fresh perspectives and new, universal meanings. Lots 62 and 76 are part of a larger portfolio of 36 woodcut prints that Zarina made in 1999, titled Home is a Foreign Place. "Made during a particularly fraught period when the artist faced eviction from her Manhattan loft, the folios in this series are visual responses to words in her native Urdu that conjure multiple senses of home-from the areas of a physical space to the experience of weather in a particular place to the cosmic phenomena that mark the passage of time." (metmuseum. org, online) Thus, the six rows of prints, to be read from left to right (as one does Arabic or Urdu), represent abstracted memories of a specific time, location or event, as seen in lot 62-comprising of a set of two works titled Dew and Dawn - and lot 76-titled Duststorm . Works like these reflect the synthesis of diverse styles and mediums on Zarina's work. The influence of conceptual artists Lucio Fontana, Yves Klein and Richard Serra, and her formative years spent studying printmaking in Paris and woodblock printing in Tokyo, are palpable in the careful and minimalist lines, which bear the weight of complex thoughts and meanings. In particular, Zarina's use of woodcut-a medium used primarily as protest art in the works of Mexican political artists and 20th century German Expressionists-combined with the inclusion of the Urdu script, and calligraphic and geometric elements reminiscent of Islamic art and architectural forms, evoke a stark and meaningful aesthetic. Here, the medium, concept, metaphor and process successfully integrate to convey the sense of loss that is felt when the home is, in fact, a foreign place.
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Lot
62
of
84
WORKS ON PAPER
8-9 APRIL 2020
Estimate
Rs 5,00,000 - 7,00,000
$6,760 - 9,460
Winning Bid
Rs 16,12,200
$21,786
(Inclusive of Buyer's Premium)
ARTWORK DETAILS
Zarina Hashmi
a) Dew (Home is a Foreign Place) Signed and dated 'Zarina 99' (lower right); inscribed 'Dew' (lower centre); further inscribed '4/25' (lower left) Woodcut on kozo paper mounted on somerset paper Print size :8.25 x 5.75 in (20.8 x 14.5 cm) Sheet size:16 x 13 in (40.5 x 32.9 cm) Fourth from a limited edition of twenty-five
b) Dawn (Home is a Foreign Place) Signed and dated 'Zarina 99' (lower right); inscribed 'Dawn' (lower centre); further inscribed '4/25' (lower left) Woodcut on kozo paper mounted on somerset paper Print size: 8.25 x 5.75 in (21 x 14.5 cm) Sheet size: 16 x 13 in (40.5 x 32.9 cm) Fourth from a limited edition of twenty-five
(Set of two)
PROVENANCE Property from a Prominent Private Collection, New Delhi
EXHIBITED:Zarina: Mapping a Life, 1991-2001 , Oakland: Mills College Art Museum, 4 November - 21 December 2001 (another from the edition)Home is a Foreign Place , Mumbai: The Guild Art Gallery, 13 June - 2 July 2005 (another from the edition)Zarina Hashmi , Karachi: Chawkandi Art, September 2005 (another from the edition)Zarina: Weaving Memory, 1990-2006 , Mumbai: Bodhi Art, 2007 (another from the edition)The Ten Thousand Things , New York: Luhring Augustine, 20 June - 31 July 2009 (another from the edition)Mind and Matter: Alternative Abstractions, 1940s to Now , New York: MoMA, 5 May - 16 August 2010 (another from the edition)Everyone Agrees: It's About to Explode , Venice: India Pavilion, Venice Biennale, 4 June - 27 November 2011 (another from the edition)Zarina: Paper Like Skin , Los Angeles: Hammer Museum, 29 September - 30 December 2012; New York: Solomon R Guggenheim Museum, 25 January - 21 April 2013; Chicago: Art Institute of Chicago, 26 June - 22 September 2013 (another from the edition).Contemporary Galleries: 1980-Now , New York: MoMA, 16 November 2011 - 9 February 2014 (another from the edition)Altered Inheritances: Home is a Foreign Place , Dubai: Ishara Art Foundation, 18 March - 13 July 2019 (another from the edition)Home is a Foreign Place: Recent Acquistions in Context , New York: The Met Breuer, 19 April 2019 - 21 June 2020 (another from the edition)Zarina: Atlas of Her World , St. Louis: Pulitzer Arts Foundation, 6 September 2019 - 2 February 2020 (another from the edition)Zarina: A Life in Nine Lines , New Delhi: Kiran Nadar Museum of Art (KNMA), 30 January - 30 June 2020 (another from the edition) PUBLISHED: Joyce Brodsky, Sharmistha Ray et al, Zarina: Weaving Memory, 1990-2006 , Singapore: Bodhi Art, 2007 (illustrated, another from the edition) Aamir R Mufti, Allegra Pesenti and Ann Philbin, Zarina: Paper Like Skin , Los Angeles: Hammer Museum, University of California, 2012 (illustrated, another from the edition)
Category: Print Making
Style: Abstract