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Lot 97

 

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A versatile artist, Reena Saini Kallat explores memory, the cycle of life and nature as well as contemporary social conditions in her work, often through the use of metaphorical tropes and popular symbols that contrast with the seriousness of the issues portrayed. According to Kallat, "Even though we are living in a world where we are constantly deluged with a torrent of images, visuals continue to make a strong impact on our minds." (Artist... A versatile artist, Reena Saini Kallat explores memory, the cycle of life and nature as well as contemporary social conditions in her work, often through the use of metaphorical tropes and popular symbols that contrast with the seriousness of the issues portrayed. According to Kallat, "Even though we are living in a world where we are constantly deluged with a torrent of images, visuals continue to make a strong impact on our minds." (Artist quoted in Nonika Singh, "New Visual Idiom," The Tribune, 2012, online)

Lots 96 and 97 are part of a series titled Penumbra Passage (Canine Cases), created in 2006. Each work comprises a gilt- framed portrait depicting civilians from India and Pakistan, superimposed with a brightly coloured map of the disputed territory of Kashmir. Below each portrait, a velvet-lined glass case holds a range of weapons that resemble bones ??? both symbols of conflict. However, the artist arranges them like a set of dentures, as indicated in the title, and the presence of embellished life-affirming patterns on these objects suggest a more complex and nuanced engagement. "At times my work can be a comment or a critique but what interests me is that space in-between the factual and the fictional, of the sometimes harsh realities and the tender aspirations or dreams for a better future." (Artist quoted in "Indian Contemporary Artist Reena Kallat: Art Radar Exclusive Interview," Art Radar, 2010, online)

"In the art world, his name is already written in stone. To some he is the greatest thing that ever happened to contemporary art." - COLIN GLEADELL

Of the many achievements that Charles Saatchi is known for, perhaps the most notable include his considerable influence in the world of contemporary art and his famous art collection. From transforming the British art scene to setting up the internationally renowned Saatchi Gallery, which has housed the likes of Andy Warhol, Cy Twombly, Damien Hirst and innumerable masters, Saatchi's impact on the art market is undeniable.

The Baghdad-born collector emigrated to London with his family at a young age, and his childhood years were spent obsessed with American pop culture. His first encounter with art - a Jackson Pollock painting at the MoMA in New York - was "life changing." (Quoted in Deborah Solomon, "The Collector," The New York Times, 26 September 1999, online) At 18, Saatchi joined an advertising firm as a copywriter, and eventually started his own advertising agency with his brother in 1970, which grew to be one of the largest advertising companies globally by 1986.

In the meantime, Saatchi had already begun his foray into art collecting, purchasing his first piece of art - a drawing by Sol LeWitt - in his early 20s. By 1985, he had opened Saatchi Gallery in a converted paint factory, transformed by architect Max Gordon into "30,000 square feet of dazzling whiteness tucked behind imposing gray gates on Boundary Road." (Solomon, online) Its inaugural exhibition featured works by Donald Judd, Brice Marden, Cy Twombly and Andy Warhol, from Saatchi's own collection.

In the 1990s, Saatchi's interest shifted from American minimalism to British art, and he curated the first exhibition of the Young British Artist collective at the Saatchi Gallery in 1992. It is a well-established fact that Saatchi's patronage of the YBAs, which included artists Damien Hirst, Sarah Lucas and Tracey Emin, was instrumental in their development and recognition, catapulting their careers into international markets. "Saatchi had put London on the map as a rival to contemporary art hubs such as Berlin, Paris and New York, and changed the face of the country's cultural scene at a time when modern art in Britain was limited to the exclusive enjoyment of a select few." (Laura French, "The Story of Charles Saatchi," European CEO, 11 March 2015, online)

In 2010 - after three major exhibitions, including The Revolution Continues: New Art from China and Unveiled: New Art from the Middle East, at the Saatchi Gallery's new premises at the Duke of York's Headquarters in London - the gallery turned its focus to India, hosting The Empire Strikes Back: Indian Art Today. Featuring 26 contemporary South Asian artists, this international exhibition showcased both emerging and established artists, including Jitish Kallat, Reena Saini Kallat, L N Tallur, Sakshi Gupta, Atul Dodiya, Tushar Joag, and many more. One of the largest of its kind, this exhibition arrived on the heels of a global recession, addressing concerns about the cultural and economic complexities of 21st century India.

The same year, Saatchi announced that he was donating the Saatchi Gallery and over 200 works of art to the British public. Since then, it has been one of the most visited art museums in the world with over 1.5 million visitors, according to a 2014 survey compiled by The Art Newspaper.

The present lot was part of The Empire Strikes Back: Indian Art Today.

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