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Lot 91

 

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Conceptual artist L N Tallur employs a multitude of mediums, ranging from sculpture and interactive pieces to found objects and site-specific installations, in order to highlight the absurdities and anxieties of contemporary life. Works such as the present lot - an installation composed of torn and battered mattresses stacked on a hospital bed, which was originally accompanied by the sound of breathing and movement like the inflating and... Conceptual artist L N Tallur employs a multitude of mediums, ranging from sculpture and interactive pieces to found objects and site-specific installations, in order to highlight the absurdities and anxieties of contemporary life. Works such as the present lot - an installation composed of torn and battered mattresses stacked on a hospital bed, which was originally accompanied by the sound of breathing and movement like the inflating and deflating of lungs - are suggestive of the toxic, agonising conditions of hard labour.

"Scientific progress and technological nightmares are conjoined twins in Tallur's work. He is drawn towards mechanical contraptions that creak and rattle, wheeze and groan. Untitled... with its towering pile of inflatable mattresses accompanied by surgical forceps on a hospital bed is thoroughly disquieting in its invocation of a teetering pile of scorched bodies. Tallur declines to name the disaster via a title, preferring perhaps to gesture towards brutalization as an existential state in our times." (Dr. Chaitanya Sambrani, "International Vernaculars and Throwaway Epiphanies: The Recent Work of Tallur L.N.," Placebo, New York: Arario Gallery and Mumbai: Chemould Prescott Road, 2009 p. 12)

"In the art world, his name is already written in stone. To some he is the greatest thing that ever happened to contemporary art." - COLIN GLEADELL

Of the many achievements that Charles Saatchi is known for, perhaps the most notable include his considerable influence in the world of contemporary art and his famous art collection. From transforming the British art scene to setting up the internationally renowned Saatchi Gallery, which has housed the likes of Andy Warhol, Cy Twombly, Damien Hirst and innumerable masters, Saatchi's impact on the art market is undeniable.

The Baghdad-born collector emigrated to London with his family at a young age, and his childhood years were spent obsessed with American pop culture. His first encounter with art - a Jackson Pollock painting at the MoMA in New York - was "life changing." (Quoted in Deborah Solomon, "The Collector," The New York Times, 26 September 1999, online) At 18, Saatchi joined an advertising firm as a copywriter, and eventually started his own advertising agency with his brother in 1970, which grew to be one of the largest advertising companies globally by 1986.

In the meantime, Saatchi had already begun his foray into art collecting, purchasing his first piece of art - a drawing by Sol LeWitt - in his early 20s. By 1985, he had opened Saatchi Gallery in a converted paint factory, transformed by architect Max Gordon into "30,000 square feet of dazzling whiteness tucked behind imposing gray gates on Boundary Road." (Solomon, online) Its inaugural exhibition featured works by Donald Judd, Brice Marden, Cy Twombly and Andy Warhol, from Saatchi's own collection.

In the 1990s, Saatchi's interest shifted from American minimalism to British art, and he curated the first exhibition of the Young British Artist collective at the Saatchi Gallery in 1992. It is a well-established fact that Saatchi's patronage of the YBAs, which included artists Damien Hirst, Sarah Lucas and Tracey Emin, was instrumental in their development and recognition, catapulting their careers into international markets. "Saatchi had put London on the map as a rival to contemporary art hubs such as Berlin, Paris and New York, and changed the face of the country's cultural scene at a time when modern art in Britain was limited to the exclusive enjoyment of a select few." (Laura French, "The Story of Charles Saatchi," European CEO, 11 March 2015, online)

In 2010 - after three major exhibitions, including The Revolution Continues: New Art from China and Unveiled: New Art from the Middle East, at the Saatchi Gallery's new premises at the Duke of York's Headquarters in London - the gallery turned its focus to India, hosting The Empire Strikes Back: Indian Art Today. Featuring 26 contemporary South Asian artists, this international exhibition showcased both emerging and established artists, including Jitish Kallat, Reena Saini Kallat, L N Tallur, Sakshi Gupta, Atul Dodiya, Tushar Joag, and many more. One of the largest of its kind, this exhibition arrived on the heels of a global recession, addressing concerns about the cultural and economic complexities of 21st century India.

The same year, Saatchi announced that he was donating the Saatchi Gallery and over 200 works of art to the British public. Since then, it has been one of the most visited art museums in the world with over 1.5 million visitors, according to a 2014 survey compiled by The Art Newspaper.

The present lot was part of The Empire Strikes Back: Indian Art Today.

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