Important Notice

Manu Parekh's artistic career began on the stages of Bombay, where he worked as an actor and set designer. His early experiences in theatre continue to influence the artist, and are reflected in the scale and spectacle of his canvases, particularly his colorful series of Banaras landscapes.

Parekh began painting the holy city of Benares after his first visit there in the 1980s, following his father's death. Inspired by the many... Manu Parekh's artistic career began on the stages of Bombay, where he worked as an actor and set designer. His early experiences in theatre continue to influence the artist, and are reflected in the scale and spectacle of his canvases, particularly his colorful series of Banaras landscapes.

Parekh began painting the holy city of Benares after his first visit there in the 1980s, following his father's death. Inspired by the many dualities that seemed to inform the city and its residents - of life and death, light and shadow, faith and fear - the artist has been painting its river-bank architecture ever since. Balancing the darker tones of trees and land with the iridescent interiors of temples and the deep ochre-orange of the evening sky, this work, like Parekh's other cityscapes, does not portray any of the eternal city's residents, but focuses instead on the heaving, living city itself. Using bold brushstrokes, this large diptych recalls the work of German Expressionists like Kirchner, Nolde and Kandinsky. All the elements that populate the frame are intense and overwhelming, almost spilling off the banks of the Ganges and into its sacred waters.

Speaking about this canvas, Meera Menezes notes that it "…overwhelms the viewer with its ferocious energy, sheer exuberance, its exacerbation of colour and sense of immediacy. It is a celebration of the holy city of Kashi, with its mélange of spirituality and squalor, where the sublime and the quotidian exist seamlessly. Parekh distills the spirit of the city and infuses his diptych with its throbbing, organic energy. Like his guru, Ramakrishna Paramhansa, he has discovered pure spirit in all that he sees and having seen it, feels driven to pay tribute to it. His treatment of the temples, the ghats, the festive buntings and the river Ganga speaks of this veneration, this discovery of the divine force within" ("Landscape as Mindscape", Banaras: Eternity Watches Time, Mapin Publishing, Ahmedabad, 2007, p. 51).

Read More
Artist Profile
Other works of this artist in: this auction  |  entire site