John Forbes Watson
(1827 - 1892)
The Journal of Indian Art [17 Volumes]
John Forbes Watson, The Journal of Indian Art, , London: W. Griggs and Sons [etc.], Volume I: Nos.1-16, January 1884-October 1886 to Volume XVII: Nos. 129-136, January 1915-October 1916 [17 Volumes]
Hardbound. Blue library buckram with gilt title text and volume numbers, call letters in white on spine, original front and rear wraps from each issue are bound in at the rear of each volume. These covers have the contents of each issue printed on them. (each)
Sizes varying from 54 x 11 x 1 in (137.5 x 28 x 2.5 cm) to 54 x 11 x 2 in (137.5 x 28 x 5.5 cm)
Scholarly literature on the decorative arts in India is scanty and mainly in learned journals.
The Journal of Indian Art and Industry (1884-1916) is the most important and considered a significant resource containing numerous pioneering studies. It was founded in 1884 by the art historian and curator John Forbes Watson, who also served as the editor of the journal. The journal was published quarterly and continued until 1893, and then biannually until 1901.
The journal was intended to serve as a platform for the promotion and dissemination of knowledge about Indian art and crafts. It contained articles, reviews, and illustrations of various aspects of Indian art, architecture, archaeology, sculpture, painting, textiles, and metalwork to contemporary crafts and textiles. Each volume filled with breath-taking chromolithographs and black and white plates, many double-page plates.
According to an essay by Peter H. Hoffenberg titled "John Lockwood Kipling, W. H. Griggs and The Journal of Indian Art and Industry": "Kipling's and Buck's vision encouraged use of the latest photographic and reproductive innovations to ensure accurate and attractive illustrations of lasting quality. Griggs and his editorial staff took advantage of that encouragement and of the most current technology to produce exquisite color chromo- and photo-lithographs. The Journal also included illustrations resulting from innovative work in the heliogravure and collotype sections of India's own Revenue and Agriculture Department, particularly the offices devoted to the Survey of India.”
The Journal of Indian Art and Industry played an important role in the development of Indian art scholarship in the late 19th century. It provided a forum for scholars and experts to share their knowledge and ideas and helped to promote a greater understanding and appreciation of Indian art and crafts among a wider audience. The journal also served as a record of the state of Indian art and industry during a time of significant change and transition, as traditional crafts and techniques began to be impacted by the influence of colonialism and modernization.
Today, the Journal of Indian Art and Industry remains an important resource for scholars and researchers interested in the history and study of Indian art and crafts. Many of the articles and illustrations that appeared in the journal are still cited and referenced in academic publications and exhibitions.
The Journal of Indian Art and Industry ceased publication in 1916, after over 30 years of being in print. However, its legacy lives on, as it played an important role in the promotion and preservation of Indian art and crafts during the late 19th and early 20th centuries.
Today the early volumes of the journal, particularly the first four or five, are highly sought after by collectors and researchers alike due to their rarity. Moreover, obtaining the complete set is even more scarce.
Volume I: Nos.1-16, January 1884-October 1886
No. 1.
Preface by Sir Edward C. BUCK, Secretary to the Government of India, Department of Revenue and Commerce.
Resolutions of the Government of India, on Museums and Exhibitions.
The Brass and Copper ware of the Punjab and Kashmir, J. L KIPLING.
With 11 full page illustrations.
No. 2.
Enamelling and other Industrial Arts of Rajputana. T. H. HENDLEY, Surgeon-Major.
With 7 full page illustrations.
No. 3.
Indian Architecture of to-day, J. L. KIPLING.
An afternoon's ramble in an Indian Bazaar, Mrs. RIVETT CARNAC.
Indian Porcelain. O1d Cashmere Copper ware. Silver work and Enamel Competition.
With 12 full page illustrations.
No. 4.
Punjab Wood Carving, J. L. KIPLING.
Rustic Ornamentation, J. L. KIPLING.
With 9 full page illustrations.
No. 5.
Thana Silks, B. A. GUPTE.
Difficulties of Art Manufacture, B. H. BADEN-POWELL.
Jeypore Exhibition, 1883.
Jeypore Enamels, S. S. JACOB, Lieut. Colonel.
With 4 full page illustrations.
No. 6.
Bidri ware, T. N. MUKHARJI.
Rustic Ornamentation, J. L. KIPLING.
Japanese and Indian Lacquer.
A Sikh offering.
The Chittagong Hill Tribes.
The Exhibition of 1886.
With 12 full page illustrations.
No. 7.
Indian Ivory Carving, J. L. KIPLING.
Turkoman Ornaments.
India at the Antwverp Exhibition.
Loan collections of Indian Musical Instruments.
Fire at the India Museum.
Supplement-An Annotated index to the Arts and Industries of India - The North West Provinces and Oudh.
With I3 full page illustrations.
No. 8.
A Study of Modern Indian Architecture, R. C. TEMPLE, Captain.
The Decorations of the Taj Mahal, Agra, Sir GEORGE BIRDWOOD.
The Cyclopædia of India.
Colonial and Indian Exhibition of 1886-Notes.
With 8 full page illustrations.
No. 9.
Mooltan Pottery, J. L. KIPLING.
The Dictionary of Islam. Note.
The Art Industries of Bengal.
With 9 full page illustrations.
No. 10.
Burmese Silver work, J. L. KIPLING.
Copper Chambu, Mrs. RIVETT CARNAC.
Taj Mahal, Agra.
Central Asian Art.
Art Industries of the Punjab, J. L. KIPLING.
With 5 full page illustrations.
No. 11.
Colonial and Indian Exhibition-Indian Section.
Plan of the Indian Courts.
Bombay Exhibits.
The Carved Teak-wood Screen of the Bombay Court.
Hammered Copper.
Kinkhab.
Perforated Brass work.
Carved Furniture.
Eastern Art Carpets.
The Archæology of India.
With 11 full page illustrations.
No. 12.
Her Majesty the Queen-Empress
H.H. The Maharaja of Jeypore.
H.H. The Maharao Raja of Ulwur.
The Entrance Gateway and Ornamental Screens, forming the divisions of Art-ware Courts.
Rajputana Court Scrcens - Jeypore, Kotah, Ajmere, Bikanir, Karauli, Jodhpur, Ulwur, The Central India Court Screen.
The Razm Namah.
Engraved Brass Plate and Tray.
Jeypore Enamel.
Decorative Panels, Ulwur.
Pottery, Ulwur.
Embroidered Camel Saddle, Jodhpur.
Indian Palace.
Indian Manufactures.
Art Industries-Jeypore-Rajputana, T. H HENDLEY, Surgeon Major.
With 16 full page illustrations.
No. 13.
The Screens of the Bengal Court.
The North-Western Provinces and Oudh Screens.
The Nepal Court Screens.
Inlaid work-Agra.
Carved Stone work-Agra.
Moradabad ware.
Dacca Filigree work.
Bidri ware, T. N. MUKHARJI.
The Indian Pictures-Notes.
The New Thornton's Gazetteer.
With 17 full page illustrations.
No. 14.
The Punjab Court Screen.
The Kashmir Court Screen.
The Assam Court Screens.
The Central Provinces Court Screens.
The Burma Court Scrcens.
The Madras Court seree
The Mysore and Coorg Court Screens.
The Hyderabad Court Screen.
Punjab Cotton Prints, J. L. KIPLING.
The Punjab Court, T. N. MUKHARJI.
Madras-"Tanjore and Mysore, Art Industries, B. A. GUPTE.
Indian Stone Carving, J. B. KEITH, Major.
Kanon-Kwan-Yin-Avalokitesvara, R. C. TEMPLE, Captain.
With I5 full page illustrations.
No. I5.
The Indian Silk Culture Court at the Colonial and Indian Exhibition, THOMAS WARDLE.
Famous Monuments of Central India, R. C. TEMPLE Captain.
With 13 full page illustrations.
No. 16.
The Baroda Court, B. A. GUPTE.
H.H. The Maharaja of Baroda.
Wood Carving.
Carved Screen.
Calico Printing.
Fabrics.
Silver and Gold york.
Inlaid and Carved Sandal Wood work.
Brass and Copper Work.
Pottery.
Lacquered ware.
With 11 full page illustrations.
Volume II. Nos.17-24, January 1887-October 1888
No. 17.
Chalukyan Temples. HENRY COUSENS.
Bombay Pottery.
Cloth Stamping and Dyeing. C. W. RAVENSHAW, Captain.
With 11 full page illustrations.
No. 18.
Embroidery. B. A. GUPTE.
Indian Embroidery.
Embroidery in the India Museum.
Embroidery Sketches.
Description of the Illustrations.
With i2 full page illustrations.
No. 19.
The Mosque of Wazir Khan, Lahore. J. L. KIPLING.
The Printed Cotton Industry of India. E. B. HAVELL.
The Opening of the Albert Hall at Jeypore.
With 3 double and 2 single full-page illustrations.
No. 20.
The Industries of the Punjab. J. L. KIPLING.
With 13 full page illustrations.
No. 21.
Decorative Art in Rajputana. T. H. HENDLEY, Surgeon-Major.
With 1o full page illustrations.
No. 22.
The Art of Tar-Kashi," or Wire Inlay. F. S. GROWSE.
With 14 full page illustrations.
No. 23.
The Industries of the Punjab.(Continued). J. L. KIPLING.
Tie and Dye" Work. CHOBE RAGHUNATH DAS.
Bust and Biography of the late Dr. John Forbes Royle.
With 12 full page illustrations.
No. 24.
The Industries of the Punjab. (Continued). J. L. KIPLING.
Silk Industry of the Punjab. H. C. COOKSON.
Phulkari Work in the Punjab. Mrs. F.A. STEEL.
With 15 full page illustrations.
Volume III. Nos. 25.32, January 1889-October 1890
No. 25.
The Arts Manufactures of Ajmere - Merwarra. T. H. HENDLEY, Surgeon and Major.
Portrait and Biography of Dr. John Forbes Watson.
With 13 full page illustrations.
No. 26.
The Arts and Manufactures of Ajmere-Merwarra. (Continued). T. H. HENDLEY, Surgeon-Major.
With 19 full page illustrations.
No. 27.
The Industries of Madras. E. B. HAVELL.
With 14 full page illustrations.
No. 28.
The Art Industries of Nepal. G. H.GIMLETTE, Residency Surgeon.
The British Indian Section,- Paris Universal Exhibition, 1890.
Ancient Chalukyan Stone Carvings. HENRY COUSENS.
The Decline of South Indian Arts. PANDIT NATESA SASTU,
With 15 full page illustrations.
No. 29.
The Art Industries of Madras. G. BIDIE, Deputy Surgeon-General.
The Art Industries of Nepal.
The Decline of South Indian Arts. (Continued). PANDIT NATESA SASTU.
With 12 full page illustrations.
No. 30.
Wood Manufactures in the Punjab. M. F. O'DWYER.
The Golden Temple at Amritsar. H. H. COLE, Major.
With 2 double and single full-page illustrations.
No. 31.
The East India Company. Sir G. C. M. BIRDWOOD.
With 6 double and 33 single full-page illustrations.
No. 32.
Indian Architectural Details (" Jeypore Portfolio"). Dr. JAMES BURGESS.
"Ulwar and its Art Treasures." M.E.SENART.
With 10 double and 5 single full-page illustrations.
Volume IV. Nos.33-37, January 1891-January 1892
No.33
Industrial Art in Bikanir. T. H. HENDLEY, Surgeon-Major, C.I.E.
1.-Fort and City of Bikanir.
2.-A Merchant's House in Red Stone.
3.-A Merchant's House in Red Stone.
4-Carved Wooden Box and Leather Water Bag.
5-Bracelets and Silver Water Tumbler.
6.-Painted and Lacquered Table.
7.-Lacquered Water Pot and Jar.
8.-Lacquered Vases and Oil Flask.
9.-Lacquered Jar and Vases.
10.-Lacquered Vases and Water Bottles.
11–Silver Throne.
12.-Silver Throne.
13.--Diamond Sarpech and Choga and Pearl Sehra.
14-Diamond Necklace and Gold, Silver and Diamond Khags.
15-Haikal; and Front View of Hausli.
16.-Hausli.
17.-Back View of Jewelled Gold Hausli.
18.-Lacquered Ink Pot, Vase, and Water Bottles.
19.-Lacquered Hookah Bowl, Vases, and Water Pot.
The East India Company. Sir G. BIRDWOOD.
A Letter from Eliza Draper (8 pages).
No. 34.
Industrial Art in Bikanir. T. H.HENDLEY, Surgeon-Major, C.I.E.
20.-Part of the Top of a Table made in Bikanir.
21.-Saree.
The Art Industries of the Madras Presidency. E. B. HAVELL.
22, 23, 24-Peasant Jewellery.
Ebony Carving Inlaid with Ivory. J. CAMERON.
25.--A Door in the Maharaja's Palace at Bangalore.
26.-A Teapoy.
27.-A Cabinet.
28.-A Group of Ebony Articles Inlaid with Ivory.
Brass Manufacture in the Madras Presidency. EDGAR THURSTON.
29.-Brass Military Figures made at Peddapooram.
30, 31.-Brass Toys.
Wood Carving in Nepal. R. SHORE, Surgeon, I. M.S.
32, 33-Carved Window.
34.-Roof of a Temple.
Archaeological Survey of N.W. Provinces and Oudh. EDMUND W. SMITH.
35.-Door from the Palace at Urchha.
36.-Urchha Palace Door-Details.
37.-Perforated Red Sandstone Screen Panel.
38.-Carved Stone Umbrella from an Ancient Stûpa.
The East India Company. Sir G. BIRDWOOD.
Presentation of Flags.
Consecration of Flags.
No. 35.
Metal Work. T.H. HENDLEY,Surgeon-Major, C.I.E.
39.-Brass Salvers from Jeypore.
40.-Brass Salver from Jeypore.
41.-Brass Ware from School of Industrial Art, Jeypore.
42.-Brass Vase from School of Industrial Art, Jeypore.
43.-(a) Brass Salver from Jeypore. (b) Specimens of Damascening in Gold on Steel from the Punjab.
44.-Specimens of Damascening in Gold on Steel.
45.-Copper Salvers from Srinagar, Kashmir.
46.Silver Hookah.
47.--Gold Hookah and Cloth.
48, 49.-Illustrations from the Razmnamah.
No. 36.
The Collections of Indian Art in Marlborough House and at Sandringham Hall. Sir G. BIRDWOOD.
49a.-Pedigrees of Their Royal Highnesses the Prince and Princess of Wales.
50.-His Royal Highness the Prince of Wales.
51-Her Royal Highness the Princess of Wales.
52.-Marlborough House, the Garden Front.
53, 54 55.-Marlborough House, the India Room-Cases of Arms.
56.-Marlborough House, the Drawing Room.
57.-Sandringham Hall, the Garden Front.
58.-Sandringham Hall, the Dining Room.
59.-Sandringham Hall, Group of Arms in Dining Room.
60.-Sandringham Hall, the Drawing Room.
61.Sandringham Hall, Vestibule.
62.-Gold Tray from Mysore, Southern India.
63.-Shrine Screen from Madura, Southern India.
No. 37.
The Collections of Indian Art in Marlborough House and at Sandringham Hll. Sir G. BIRDWOOD. (continuation).
64, 65.-Brass Figures from Vizagapatam.
66.-Enamelled Plate from Jeypore.
67.-Enamelled Atardan from Jeypore.
68.-Enamelled Stand of an Atardan.
69.-Enamelled Cup, Saucer, and Box from Jeypore.
70.-Enamelled Inkstand from Jeypore.
71-Group of various Indian Arms.
72.-Detail of Enamelled Sword Hilt and Appendages.
73.-Detail of Graven Sword Hilt and Blade.
74-Detail of Carved Gun Stock.
75.-Detail of Sword Hilt and Scabbard of Pierced Work.
76.-Details of Four Gun Barrels.
77.-Ahmedabad Kincob.
Volume V. Nos. 38-45, April 1892-January 1894
No. 38.
The Silk Industries of Moorshedabad. BABOO NITYA GOPAL MOOKERJI.
8 page plates.
Notes on an Ahmedabad Carved Screen and Bracket. HENRY E. M. JAMES.
3 Page plates.
No. 39.
Where Warren Hastings Rests. SIR CHARLES LAWSON.
14 page plates and MS., and I double plate.
No. 40.
The Art Industries of the Madras Presidency. E. B. HAVELL.
17 page plates
No. 41.
Pottery and Glass Industries of the Punjab. C. J. HALLIFAX.
2 page plates.
2 double page plates of Carved Doors, Amritsar.
6 page plates of Tiles, Afghan Boundary Commission.
No. 42.
Pottery and Glass Industries of the Punjab. C. J. HALLIFAX.
Chaurasi Gumbaz, Kalpi. ED. W. SMITH.
8 page plates.
5 page plates of Tiles, Afghan Boundary Commission.
No. 43.
Persian and Indian Bookbinding. Surg. Lt-Col. T. H. HENDLEY, C.I.E.
14 page plates and MS. page.
No. 44.
Note on the Art Industries of Mirzapur. W. CROOKE.
4 page plates.
Dravidian Architectural Details. A. REA.
6pageplates.
Abstract from Dr. Fuhrer's Article on IndoScythic Architecture and Sculpture of the Mathura School.
3 page plates of Tiles, Afghan Boundary Commission.
No. 45.
The Silver Workers of Cutch. B. H. BADEN POWELL, C.I.E.
13 page plates.
Volume VI: Nos. 46-53, April 1894- January 1896
CONTENTS
Detail Drawings of Rani Sipri's Mosque, Tomb, &c., Ahmedabad. JOHN GRIFFITHS....pp. 63, 64
1 double and 12 single full-page illustrations (Plates 1–13).
Wall Paintings from Fathpur Sikri. EDMUND W. SMITH.....65-68
11 full-page illustrations (Plates I-II).
The Art Industries of the Madras Presidency. E. B. HAVELL.....69, 70
8 full-page illustrations (Plates 12-19).
Nepal...... 71–74
10 full-page illustrations (Plates 20-29).
Akbar's Tomb at Sikandra..... 75-80
11 full-page illustrations (Plates 30-40).
Brass and Copper Ware of the Madras Presidency. EDWIN HOLDER....81-84
19 full-page illustrations (Plates 41-58).
Analysis of Specimens of Oriental Metal Work. pp. 85-88
The Empire of India Exhibition in London....89-90
Tomb of Itmad-ud-daulah at Agra. EDMUND W. SMITH. 91-94
8 full-page illustrations (Plates 59-66).
Lahore Fort and Shahlimar Gardens....94-96
2 double and 1 single full-page illustrations (Plates 67-69).
Dada Hari's Well, Mosque, and Tomb, Ahmedabad. JOHN GRIFFITHS..... 97-98
3 double and 11 single full-page illustrations (Plates 70-83).
Pottery and Glass Ware of Bengal. T. N. MUKHARJI. 99-102
Indian Arms and Armour. B. H. BADEN-POWELL. 103-106
21 full-page illustrations (Plates 84-104).
Volume VII: Nos. 54-60, April 1896- October 1897
CONTENTS
The Manufacture of Brass and Copper Wares in Assam. E. A. GAIT....1-4
8 full-page illustrations (Nos. I-8).
The Manufacture of. Pottery in Assam. E. A. GAIT..... 5-8
The Leather Industry of the Punjab. ARTHUR .GRANT...9-12
10 full-page illustrations (Nos. 9-22)
The Brass and Copper Wares of the Bombay Presidency. JOHN GRIFFITHS...13-22
18 full-page illustrations (Nos. 23-41).
Letter from KingJames I. of England to the Shah Abbas of Persia. F.C. DANVERS.... 23,24
1 double full-page illustration (No. 42).
A Tradition of Raphael in Persia. C. PURDON CLARKE.... 25, 26
4 full-page illustrations (Nos. 43-46).
The Pottery and Glass Industries of the North-West Provinces and Oudh. H. R. C. DOBBS....1-6
13 full-page illustrations (Nos. 47-59).
Madras Pottery. EDWIN HOLDER....7-10
16 full-page illustrations (Nos. 6o-75).
Dyes and Dyeing in Bengal. N. N. BANERJEI....11-20
5 full-page illustrations (Nos. 76-80).
The Cotton Fabric Industry of the Madras Presidency. EDGAR THURSTON. ... 20-24
8 full-page illustrations (Nos. 81-88).
Casket presented to Lord Harris....25
3 full-page illustrations (Nos. 89-91)
The Cotton Fabric Industry of the Madras Presidency. (Continued). EDGAR THURSTON.... 25-32
7 full-page illustrations (Nos. 92-98).
Volume VIII: Nos. 61-69, January 1898- January 1900
CONTENTS
To the Temple." Sir GEORGEC. M. BIRDWOOD, C.S.I....1–5
2 full-page illustrations (Nos. 1-2).
The Ajanta Cave-Paintings....7-22
44 Text-blocks.
The Gandhâra Sculptures. JAMES BURGESS, C.I.E., LL.D....23-30
13 full-page illustrations (Nos. 3-15).
The Gandhâra Sculptures (continued.) JAMES BURGESS, C.I.E., LL.D....31-40
12 full-page illustrations (Nos. 16-27).
Wall Paintings from Salim Chishti's Tomb, Fathpur Sikri. EDMUND W.SMITH, M.R.A.S....41-44
12 full-page illustrations (Nos. 28-39).
The Life and Work of Sir George C.M. Birdwood, C.S.I....45-53
14 full-page illustrations (Nos. 40-53).
Wall Paintings from the Jâmî Masjid, Fathpur Sikri. EDMUNDW. SMITH, M.R.A.S....55-57
10 full-page illustrations (Nos. 54-63).
Paris Universal Exhibition of 1900...59-63
17 full-page illustrations (Nos. 64-80).
The Cotton Fabrics of Bengal. N. N. BANERJEI, B.A., M.R.A.C., &c. ... 65-72
15 full-page illustrations (Nos. 81-95).
Gandhâra Sculptures (some recent acquisitions). JAMESBURGESS, C.I.E., LL.D....73-92
38 Text-blocks.
Volume IX: Nos. 70-80, April 1900- October 1902
CONTENTS
Some Account of the Thirty-seven Nats (Royal Ghosts) of the Burmese. R. C. TEMPLE, Colonel. ... 1–4
13 full-page illustrations (Nos. 1-23).
Ancient Indian Beads. Mrs. J. H. RIVETT-CARNAC....5-12
(12 full-pageillustrations(Nos. 24-35).
A Lesser Hindu Pantheon. J. H. RIVETT-CARNAC...13-21
12 full-page illustrations (Nos. 36-47).
The Salt Industry of Rajputana. F. ASHTON. 23-32
17 full-page illustrations (Nos. 48-64).
On some specimens of Indian Metal Work. J. RIVETT-CARNAC. H....33-39
15 full-page illustrations(Nos.65-79)
Ivory Carving, North-West Provinces and Oudh, L. M.STUBBS; The Punjab, T. P. ELLIS; Bombay Presidency, CECIL L. BURNS; Assam, JAS.DONALD; Burma, H.S. PRATT....41-60
1 double and 8 single full-page illustration (Nos. 8o-88).
Glass Mosaics of Burma. HARKY L. TILLY....61-63
7 full-page illustrations (Nos. 89-95).
Modern Indo-Saracenic (Sandeman Hall, Quetta). IVIE HAMILTON....64-65
3 full-page illustrations (Nos. 96-98).
Specimens of Indian Metal Work....J. H. RIVETT-CARNAC....67-70
18 full-page illustrations(Nos. 99-116).
Moghul Colour Decoration of Agra. EDMUND W. SMITH (the late) ... 71–73
19 full-page illustrations (Nos. 117a-134).
Moghul Colour Decoration of Agra (continued). EDMUND W. SMITH (the late)....75-76
20 full-page illustrations(Nos. 135-154).
Moghul Colour Decoration of Agra (continued). EDMUND W. SMITH (the late)...77-79.
17 full-page illustrations (Nos. 155-171).
Volume X: Nos. 81-88, January 1903- October 1904
CONTENTS
Silk Fabrics of the Bombay Presidency. S. M. EDWARDS, I.C.S.... 1-6
Silk Fabrics of the Central Provinces. F. DEWAR, I.C.S.....7-12
Silk Industry in the Punjab. W. M HAILEY, C.S. ... 13-16
9 full-page illustrations (Nos. 1-9).
Woollen Fabrics of the Bombay Presidency. B. A. BRENDON, I C.S. ...17-18
Cotton Fabrics of the Bombay Presidency. R. E. ENTHOVEN, I.C.S...19-20
The Cotton Fabrics of Assam. H. F.SAMMAN, I.C.S...21-22
Cotton Fabrics of the N. W. Provinces and Oudh. CHAS. A. SILBERRARD B.A., B.Sc., I.C.S....23-24
Silk in Burma. J.P.HARDIMAN,I.C.S....25-26
15 full-page illustrations (Nos. 10-14, 14a, b, c, 15-21).
Wazir Khan's Mosque. FRED. H.ANDREWS....27-30
6 double and 2 single-page illustrations (Nos.22-29).
The Silverwork of Burma. HARRY L. TILLY....31-35
16 full-page illustrations (Nos. 30-45).
The Jahazi Mahal at Shujabad. Dr VOGEL....37-41
6 double-page illustrations (Nos. 46-51).
Wood-Carving in Southern India. EDGAR THURSTON...43-50
10 full-page illustrations (Nos.52-61).
The Elephant in Industry and Art. FRED. H. ANDREWS....51-54
26 full-page illustrations (Nos. 62-87).
The Elephant in Industry and Art.(contd.) FRED. H. ANDREWS...55-64
2r full-page illustrations (Nos.88-108).
Volume XI: Nos. 89-94, January 1905- April 1906
CONTENTS
ONE HUNDRED CARPET DESIGNS
FROM VARIOUS PARTS OF INDIA.
18 in colours; 82 in monochrome.
With Monograph by FRED. H. ANDREWS.
Volume XII: Nos. 95-107, July 1906- July 1909
CONTENTS
Jewellery of Delhi and the United Provinces of Agra and Oudh.... 1-16
12 full-page illustrations (Nos.1-12).
Jewellery of Rajputana and Malwa Central India...17-42
23 full-page illustrations (Nos.13-24 & 25-35)
Jewellery of the Panjab, Kashmir, Afghanistan, &c.,...43-67
24 full-page illustrations (Nos. 36-47 & 48-60).
Jewellery of the Bombay Presidency; including Aden....69 -86
13 full-page illustrations (Nos.61-73)
Jewellery of Bombay (Contd.): The Central Provinces; and Miscellaneous Observations....87-98
12 full-page illustrations (Nos 74-85).
Jewellery of the Madras Presidency .. 99-114
14 full-page illustrations (Nos. 86-99).
Jewellery of Bengal ... 115-127
13 full-page illustrations (Nos. 100-112).
Jewellery of Eastern Bengal and Tibet 129-139
12 full-page illustrations (Nos. I13-124).
Jewellery of Eastern Bengal (contd.); Burma, Nepal, and adjacent countries...140-156
12 full-page illustrations (Nos. 125-136)
Antique Jewellery and Ornaments; general conclusions...157-189
31 full-page illustrations (Nos. 137-148 & 149-167).
Volume XIII: Nos. 108-112, October 1909- October 1910
CONTENTS
The Silk Industries of India and the Personal History of Sir Thomas Wardle. CoL. T. H. HENDLEY, C.I.E....1-4
Memoir of Sir Thomas Wardle and the Formation of the Silk Association of of Great Britain and Ireland. G. C. WARDLE....5-9
Sericiculture and Silk Weaving in India and Kashmir. THE LATE SIR THOMAS WARDLE....10-19
The Uses of Tasar Silk and Indian Dyes, &c. CoL. T. H. HENDLEY, C.I.E.....20-21
The Hill Forests of Western India. THE LATE H. M.BIRDWOOD, C.S. I....23-32
Volume XIV: Nos. 113-116 and No.118, January - October 1911, April 1912
CONTENTS
Indian Tilework...1–5
The Lahore Fort...6-11
The pictured wall of Lahore..12-17
Sports and Pastimes. Animal Fights...18-22
Date of the Tile-Mosaics on the Lahore Fort...23-26
Volume XV: Nos. 117, and 119-121, January 1912, July 1912- January 1913
CONTENTS
No. 117
Royal, Historical and General Number
Introduction, Arrangements of Indian Section; Royal Loans; Exhibits of Indian Chiefs; Historical Exhibits; General Notes; Col. T. H. HENDLEY, C.I.E...... 1-7,etc,
History, Objects, Ideals and Results of the Festival of Empire ; Sir MELVILL BEACHCROFT....2
The East India Company; Mr. W. FOSTER....7
Description of Portraits...8
India from the Landscape Artist's point of view; Mr. WALTER CRANE, R.W.S....11
"The Two Daniels"; Mr. G. LYELL....13
Animal Life in India from the Artist's standpoint; Mr. EDGAR H. FISCHER...14
Progress in Transit by Rail; Col. R. GARDINER, R.E....23
Progress in Transit by Water and in Irrigation; Mr.J. J. MULLALY, C.IE....24
Progress in Architecture; Col. T. H. HENDLEY...26
Report of the Jury; Sir ALFRED EAST, A.R.A., P.R B.A., Mr. WALTER CRANE, R.W.S., and Mr. T. W.ROLLESTON....28
Obituary Notice-The late Mr. William Griggs; Col.T. H.HENDLEY....31
LIST OF PLATES
1. Dagger; Kukri or Dagger; Rajput Shield. Lent by H.M. The King.
2. Silver Casket. Lent by H.M. The King.
3. Shield of transparent hide. Lent by H.R.H. The Duke of Connaught.
4. View of the Exterior of the Indian Court.
5. View of Interior of Indian Court.
6. Portrait of Major General Stringer Lawrence.
7. Portrait of Lord Clive.
8. Portrait of John Zephaniah Holwell.
9. Portrait of Mrs. Frances Watts.
1O. Portrait of Field Marshal Hugh, Viscount Gough.
11. Portrait of Horace Hayman Wilson.
I2. The royal ancestors of the Mogul Emperor Aurangzeb.
13. Evening Ride of H.H. the Maharaja Shere Singh.
14. Letter regarding Lord Clive when a boy.
15. Indian artizans constructing model of. station at Howrah.
16. East India Company's Factory, Cambay.
No. 119
Industrial Art
Introduction, General Notes on Metal Work, Base Metal, etc.; Col. T. H. HENDLEY, C.I.E.....33-38
Art in Nepal, Sikhim, Bhutan and Tibet ; Mr. J.CLAUDE WHITE, C.I.E......38
Art Industries of Burma, Mr. H. L. TILLY....39
Industrial Art in the Punjab; Mr. W. COLDSTREAM... 40
Art Industries of Southern India; Mr. ALFRED CHATTERTON, C.I.E., B.Sc....42
Arms and Armour, Address Cases, Defects in ArtWare, Promotion of Art Industries; Col.T. H.HENDLEY.....44
List of Awards, Bibliography of Industrial Art Ware.....52
LIST OF PLATES
1. Portrait Model of a Tibetan Lama.
2. Portrait Model of a Tibetan Lama.
3. Tibetan Teapot.
4. Circular Silver Tray (Poona).
5. Brass Salver (Tanjore).
6. Burmese Silver Claret Jug, Spittoon and Bowls.
7. Silver Pan Box (Bhutan) and Magician's Crown (Sikkim).
8. Tibetan Beer Jug.
9. Tibetan Teapot.
1O. Copper Images of Siva and Parvati.
11. Burmese Figures representing Shan man and woman.
12. Carved Sandalwood Box from Mysore.
13. Elephant Goad, Knuckle-duster, Dagger, Sandalwood
14. Buddhist Emblems. [Box, Talwar, and Sword Hilt.
No. 120
Art and Language
Introduction; Col. T. H. HENDLEY, C.I.E....55
Caves of Ajanta and the Frescoes therein; Mr. VINCENT A. SMITH, I.C.S. (retired)...55
Description of Ajanta Caves and Frescoes; Mrs. C. J.HERRINGHAM. ...57
Ancient Buddhist Pictures and Embroideries; Sir M.A. STEIN, K.C.I.E....60
Remarks on Mogul (Indo-Persian) Paintings and Drawings; Mr. VINCENT A. SMITH.....66
Modern School of Indian Painting;. Dr. COOMARASWAMY. ... 67
Illustrations and General Notes; Portraits by Indian Artists ; Symbolism; Mythology ; Colonel T. H.HENDLEY.....69-83
Languages of India; Sir GEORGE GRIERSON, K.C.I.E., and Rev. R. KILGOUR, D.D. ...83
Arabic and Persian Manuscripts; Mr. T. W. ARNOLD, C.IE.....87
Sanskrit and other India Office Loans; Mr. F, W.THOMAS, M.A., PH.D....89
LIST OF PLATES
1. The Great Buddha; Cave I., Ajanta.
2-6. Ancient Buddhist Paintings on silk, discovered by Sir M. A. Stein, K.C.I.E., at Chién-fo-tang.
7. A Mogul Emperor and his Secretary or Minister.
8. Portraits of Timur Shah and some of his descendants.
9. Casting the horoscope of the Emperor Jahangir.
10. Durbar of the Emperor Jahangir.
11. Portraits of Nur Mahal and the Emperor Aurangzeb.
12. The Entombment of Christ.
13. The Descent of Yudhisthira into Hell.
I4. Four reduced plates from the Jeypore Razmnamah.
15. Jaghai and Madhai (N.L. Bose); Devidasi (A. N. Tagore).
No. 121
Indian Art; Historic Tableaux; Indian Scenes of the Pageant; Dolls and Models; Life of the People; Women's Work; Miscellaneous
Indian Pictures (continued); Indian Art Styles; Dressed Dolls and Models; Carpets, Rugs and Shawls; Life of the People; Indian Agriculture; The Pageant; Col. T. H. HENDLEY, C.I.E.....91-112
Miniature Historical Tableaux; Miss MARY WILLIAMS, with Notes by Col. T. H. HENDLEY....95
Women's Work and Textiles; Mrs. J. E. HENDLEY....103
LIST OF PLATES
1. State entry of the Shah Jahan into Agra.
2. Rajput Ladies and Attendants.
3. Domestic scene at the Court of the Emperor Aurangzeb.
4. Historical Tableaux : Enthronement of Rama and Sita; Bikya reading Chandrahasa's letter.
5. Historical Tableau: Worship of Buddha at Ajanta.
6. Historical Tableaux: Babar receiving ambassadors from Samarkand; Akbar receiving Queen Elizabeth's envoy.
7. Historical Tableaux: Raja of Chandragiri granting charter for founding Madras ; Job Charnock rescuing a widow.
8. Historical Tableau : Audience by Jahangir of Sir T. Roe.
9. Historical Tableaux: Shah Alum granting Diwani of Bengal; Reading proclamation of Qn. Victoria at Calcutta.
10. Historical Tableaux: State entry of Prince of Wales into Jaipur, 1876; Signing of Treaty of Lhasa, 1904.
11. Hindu Marriage Procession.
12. Woman's Skirts.
13- Miniature Paintings of Kashmiri men and women.
Volume XVI: Nos. 122-128, April 1913-October 1914
CONTENTS
No. 122.
The Influence of the Umbrella on Indian Architecture; Mr. A. H.LONGHURST....1-8
Illustrated by 13 plates.
No. 123.
Notes on a Collection of Brooches worn in India; Mrs. J. H. RrveTT-CARNAC...9-16
Illustrated by 5 plates.
The Elephant in State Ceremonies; Colonel T. H. HENDLEY, C.I.E...17-22
Illustrated by 6 plates.
No. 124.
The Sculpture of Ceylon; Mr. VINCENT A. SMITH...23-30
Illustrated by 8 plates.
Calligraphy ; CHAUBEY BISVESVAR NATH, B.A. Introduction and Notes by Colonel T. H. HENDLEY, C.I.E....31-32
Illustrated by 5 plates.
No. 125.
Indian Museums; Col.T. H.HENDLEY, C.I.E...33-69
Illustrated by 14 plates.
No. 126.
Indian Animals, True and False, in Art, Religion, etc. ; Col. T. H. HENDLEY, C. I.E....71-80
Illustrated by 13 plates.
No. 127.
Notes on Jaina Art; ANANDA K. COOMARASWAMY, D.Sc. ... 81-97
Illustrated by 15 plates.
Editorial Note; Col. T. HENDLEY, C.I.E.... 98
No. 128.
The Eight Nayikas ; ANANDA K. COOMARASWAMY, D.Sc. 99-112
Ilustrated by 8 plates.
Painted Ceiling at Kelaniya Vihara, Ceylon; ANANDA K.COOMARASWAMY,D.Sc...113
Illustrated by 1 plate.
A Collection of Brasses from Central India; Major C. ECKFORDLUARD, M.A., I.A....114-116
Illustrated by 3 plates.
Volume XVII: Nos. 129-136, January 1915-October 1916
CONTENTS
No. 129.
Industrial Art Products imported into India; Colonel T. H. HENDLEY, C.I.E. ...1-3
Ilustrated by 5 plates.
Sectarial Seals and other Religious Objects; Colonel T. H. HENDLEY, C.I.E....3-4
Illustrated by 5 plates.
No. 130.
War in Indian Art; Col. T. H. HENDLEY, C.I.E....5-16
Illustrated by 17 plates.
No. 131.
Carpet Making in the Punjab; Mr. C. LATIMER, B.A., I.C.S....17-26
Illustrated by 4 plates.
Jaipur Pottery; PanditBISVESVARNATH CHAUBAY, B.A....27-28
Illustrated by 3 plates.
Notes on the British Industries Fair; Col.T. H. HENDLEY, C.I.E....29-32
Reviews....33-34
No. 132.
The Hamir-ha?h"; HIRANANDASHASTRI, M.A., M.O.L....35-40
Illustrated by 1o plates.
The Cotton Fabrics of the Central Provinces; Mr. ARTHURBLENNERHASSETT, B.A., I.C.S.....41-44
Illustrated by 3 plates.
Correspondence and Notes....45-46
No. 133.
The New Indian School of Painting; Mr.0. C.GANGOLY...47-52
Illustrated by 14 plates.
Note on the Exhibition of Design and Workmanship; Colonel T. H. HENDLEY, C.I.E....53-54
No. 134.
Sport in Indian Art; Col. T. H. HENDLEY, C.I.E....55-65
Illustrated by 12 plates.
Note on the British Industries Fair, 1916; Colonel T. H. HENDLEY,C.I.E.....66
No. 135.
Some Unpublished Persian Paintings of the Safavid Period.; Prof. T. W. ARNOLD, C.I.E., Litt.D....67-72
Illustrated by 6 plates.
Memoir of the late Sir Edward Buck, K.C.S.I....73-74
No, 136
Wood-Carving in Guzerat; Sir H. EVAN M. JAMES, K.C.I.E., C.S.I....75-76
Illustrated by 5 plates.
South Indian Lamps; Mr. O. C. GANGOLY....77-81
Illustrated by 3 plates.
Memoir of the late Colonel T. H. Hendley, C.I.E. 82-86
Correspondence....86-88
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