"According to Subramanyan, tradition was dead until artists made it a living fire through practice. This view of tradition led Subramanyan to explore the intersection of the major and minor, or art and crafts, as he experimented with drawing, oil painting, watercolor, sculpture, and moralism alongside projects in set-design, toy-making, book illustration, and art-writing in the 1960s, 1970s, and afterward. These were efforts at generating a...
"According to Subramanyan, tradition was dead until artists made it a living fire through practice. This view of tradition led Subramanyan to explore the intersection of the major and minor, or art and crafts, as he experimented with drawing, oil painting, watercolor, sculpture, and moralism alongside projects in set-design, toy-making, book illustration, and art-writing in the 1960s, 1970s, and afterward. These were efforts at generating a national modernism akin to a hydra-headed beast, a practice in which diversity was privileged over purity and the past offered a dream of the future." (Sonal Khullar, "The New Primitives: K G Subramanyan," Worldly Affiliations , Oakland: University of California Press, 2015, p. 166)
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Lot
17
of
120
CREATIVE CIRCUIT: THE ART OF K G SUBRAMANYAN
19-20 JANUARY 2021
Estimate
Rs 4,00,000 - 6,00,000
$5,560 - 8,335
ARTWORK DETAILS
K G Subramanyan
a) Untitled Ink on paper 14.74 x 9.75 in (37.4 x 24.7 cm) b) Untitled Ink on paper 14.74 x 9.75 in (37.4 x 24.7 cm)
c) Untitled Ink on paper 9.75 x 14.75 in (24.7 x 37.4 cm) d) Untitled Ink on paper 14.75 x 9.75 in (37.4 x 24.7 cm)
(Set of four)
PROVENANCE Estate of K. G. Subramanyan managed by The Seagull Foundation for the Arts
EXHIBITEDIMPACT: design thinking and the visual arts in young India , Mumbai: Chatterjee & Lal, 6 September - 20 October 2018
Category: Painting
Style: Figurative