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"Harsha’s has always been a vast canvas. He evokes on it the behaviour and mood of life that is observed in a close proximity to multitudes of its manifestations. Be it the instinctual budding, growth and decay of the organic world or the human circumstance steeped in the past as well as shaped by the present with its social and political determinants, the image comes as an endless progression of individual and varied yet essentially bonded... "Harsha’s has always been a vast canvas. He evokes on it the behaviour and mood of life that is observed in a close proximity to multitudes of its manifestations. Be it the instinctual budding, growth and decay of the organic world or the human circumstance steeped in the past as well as shaped by the present with its social and political determinants, the image comes as an endless progression of individual and varied yet essentially bonded entities that pass through basic stages of existence. Like a keen scientist and a kindly judge, the artist with love, gravity and humour records transient – endearing or awkward - specificities that add to a firm but ever altering current of things animated to eventually reveal a deeper structure and values. There is a fine order and a dose of gentle, exuberant unruliness in his compositions, the horizontal flow of figures continuing somewhat in the way of utterly visual words and sentences" (Marta Jakimowicz, Harsha N. S. in Shanghai, Sakshi Gallery catalogue, 2007, unpaginated).

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