Born in Colombo in 1962, painter, sculptor and installation artist Anoli Perera studied political science, economics and sociology at the University of Colombo, Sri Lanka, followed by a postgraduate diploma in international affairs. She lived in the US between 1988 – 1992 and took up art education programmes in California and at Princeton in New Jersey.
Through her art, Perera explores issues that confront women in her immediate social...
Born in Colombo in 1962, painter, sculptor and installation artist Anoli Perera studied political science, economics and sociology at the University of Colombo, Sri Lanka, followed by a postgraduate diploma in international affairs. She lived in the US between 1988 – 1992 and took up art education programmes in California and at Princeton in New Jersey.
Through her art, Perera explores issues that confront women in her immediate social context. In the artist’s own words, “My subject matter always comes out of various situations and experiences in the social context I live in. As such, my work reflects certain social and political issues relevant to the situation of my living. Recently, my work has focussed on "woman and the issues that confront her". My most recent ideas on art involve "dress as sculpture" and also using the process of dress-making as an art-making method.” Elaborating on her technique and process she says, “My paintings incorporate the concept of ‘bricolage’ where fragments from different written texts, raw materials, objects and painted surfaces are juxtaposed together giving a textured surface. They also transcend the two dimensional aspect of painting. As a sculptor, I have worked with stone, steel, cement as well as junk material from motor car parts. At present I use cloth, thread, lace and paper as raw material for my sculptures and installations.”
Perera has solo and group shows in Sri Lanka, Japan, UK and Sweden. She was one of the founding members of the Theertha Association for Contemporary Sri Lankan Visual Artists in 2000. The artist lives and works in Rajagiriya, Sri Lanka.
Read More
Other works of this artist in:
this auction
|
entire site
Lot
97
of
138
THE TIES THAT BIND: SOUTH ASIAN MODERN AND CONTEMPORARY ART
30 NOVEMBER-1 DECEMBER 2016
Estimate
Rs 3,00,000 - 4,00,000
$4,415 - 5,885
ARTWORK DETAILS
Anoli Perera
a) I Let My Hair Loose: Protest Series I Signed, dated and inscribed 'I Let My Hair Loose: Protest Series I (2010-2011) / Ano L.' (on the reverse) 2010-2011 Ink jet on hahnemuhle gloss baryta warmtone fine art paper Print size: 30 x 20 in (76.4 x 50.9 cm) Sheet size: 36 x 26 in (91.7 x 66.2 cm) Artist's Proof, first from a limited edition of three b) I Let My Hair Loose: Protest Series II Signed, dated and inscribed 'I Let My Hair Loose: Protest Series II (2010-2011) / Ano L.' (on the reverse) 2010-2011 Inkjet on hahnemuhle gloss baryte warmtone fine art paper Print size: 30 x 20 in (76.4 x 50.9 cm) Sheet size: 36 x 26 in (91.7 x 66.2 cm) Artist's Proof, first from a limited edition of three
c) I Let My Hair Loose: Protest Series IV Signed, dated and inscribed 'I Let My Hair Loose: Protest Series IV (2010-2011) / Ano L.' (on the reverse) 2010-2011 Inkjet on hahnemuhle gloss baryta warmtone fine art paper Print size: 30 x 20 in (76.4 x 50.9 cm) Sheet size: 36 x 26 in (91.7 x 66.2 cm) Artist's Proof, first from a limited edition of three
(Set of three)
PROVENANCE: Private Collection, New Delhi
EXHIBITED:Serendipity Revealed , Sheung Wan: China Art Projects presented by Hempel Galleries, Colombo Art Biennale and Visual Arts Projects, December 2013; London: Brunei Gallery, 9 October - 20 December 2014 PUBLISHED:Serendipity Revealed , London: Brunei Gallery, 2014, p. 14Imaging the Isle Across: Vintage Photography from Ceylon , New Delhi: National Museum, 2015
Category: Photography
Style: Figurative