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Rini Dhumal
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From an art history point of view, prints have long been a highly popular medium of expression. There have been close links between prints and people's lives. Today, as contemporary art is developing towards even greater diversity, their role is bound to become even more important than in the past. Prints are at once intimate and political, public yet private. The role of a printmaker is two-fold. It requires a disciplined exactitude and a sense...
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From an art history point of view, prints have long been a highly popular medium of expression. There have been close links between prints and people's lives. Today, as contemporary art is developing towards even greater diversity, their role is bound to become even more important than in the past. Prints are at once intimate and political, public yet private. The role of a printmaker is two-fold. It requires a disciplined exactitude and a sense of aesthetic beauty. It is most important that a print communicates its message clearly and is accessible to everyone.
I have been a printmaker and a painter. For some time now I have been painting and enjoyed it immensely. In fact my printmaking background was an added asset. Painting has been equally helpful in my new series of prints, in encouraging a simpler approach and technique. In today's contemporary art in India vis-a-vis painting or sculpture, prints have been looked down on as a stepchild. Of course, a lot of effort has been made to bring prints into the mainstream of the art world in India, but have not been successful as yet.
One has to make a conscious effort to make the public or art lovers want to own a print, make them understand that it is as relevant and original as a painting itself. A close relationship exists between a printmaker and his prints. The serial nature of prints permits an artist to see and record the development of their ideas, figurative or abstract.
Recently I have returned to prints with a new vigor, with a heightened awareness of size and colour. The contents of these prints are not in any way a diversification of my paintings. They do, however, convey the same concern for human relationships and dialogues.
The series of serigraphs are an extension of the series of glass paintings I had done. The luminosity of painting on glass made me want to experiment with this medium, which is seldom used by artists. There is a misconception that silk-screen cannot be a very creative medium of expression, but to me, any medium is creative if the artist acquires a significant expression within the frame through colour and line and a transparent psyche.
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Born
1948
Bengal
Education
1972 M.A. Fine Arts (Painting), Faculty of Fine Arts, Maharaja Sayajirao University of Baroda
Exhibitions
Selected Solo Exhibitions
2013 'The Japanese Wife and Other...
Selected Solo Exhibitions
2013 'The Japanese Wife and Other Tales', Art Alive Gallery, New Delhi
2010 'Rooted Landscapes', Jehangir Art Gallery and Tao Art Gallery, Mumbai; Gallery Sanskriti, Kolkata
2008 'Of Mortal, Mythic and Divine', presented by Art Alive Gallery, New Delhi at Gallery Sanskriti, Kolkata
2006 ‘Tales of the Prophetess’, Art Alive Gallery, New Delhi
2004 ‘The Santiniketan’, Jamaat, Mumbai
2002 Tao Art Gallery, Mumbai
2002 Gallery Sumukha, Bangalore
2000 Fine Art Company, Mumbai
1999 Apparao Gallery, Chennai
1999 National Institute of Design (NID), Ahmedabad
1998 Sakshi Gallery, Chennai
1997 Cymroza Art Gallery, Mumbai
1995 Gallery 7, Mumbai
1995 Art Today, New Delhi
1993 Galerie Brita Printz, Madrid, Spain
1992 Sakshi Gallery, Chennai, Bangalore
1992 Gallery 7, Mumbai
1991 Sakshi Gallery, Chennai
1991 Print Exhibition, Madrid, Spain
1990 Galerie Art and Data, Frankfurt, Germany
1990 Centre for Contemporary Art, New Delhi
1987 Vithi Art Gallery, Baroda.
1987 Gallery 7, Mumbai
1987 Dhoomimal Gallery, New Delhi
1986 Max Muller Bhavan, Hyderabad
1985 Contemporary Art Gallery, Ahmedabad
1985 University Austral de Chile, Valdivia, Chile
1983 Gallery Chemould, Mumbai
1981 Urja Art Gallery, Baroda
1976 Paris
1974 Triveni Gallery, New Delhi
Selected Group Exhibitions
2012 'An Alternative Perspective', Centre of International Modern Art (CIMA), Kolkata
2012 'Women: Sacred and the Temporal', Shrishti Art Gallery, Hyderabad
2010 'Figures in Sculptures and Paintings', Jamaat Art Gallery, Mumbai
2009 'Sacred and Secular', India Fine Art, Mumbai
2009 'Think Small', Art Alive Gallery, New Delhi
2009 'Entity', in association with Asian Academy of Film & Television at M.E.C. Art Gallery, New Delhi
2008 ‘The Scared’, presented by Galleria at Museum Gallery, Mumbai
2006 'Drawing Show an Act of Art II', Priyasri Art Gallery, Mumbai
2006 Gallery Art Resource, Singapore
2006 ‘Confluence’, Arts India, New York
2005 ‘Shakti’, Arts India, New York
2005 Gallery Sumukha, Bangalore
2001 ‘Nav Nayika’, Tao Art Gallery, Mumbai
2000 Sans Tache Gallery, Mumbai
1999 Society for Painter Printmakers, London
1997 ’50 Years of Independence Show’, Cymroza Art Gallery, Mumbai
1997 ARC’S Gallery, London
1997 ‘Beasts’, The Gallery, Chennai, New Delhi
1994 ‘Art For Cry’, Mumbai, New Delhi
1994 ‘Mobile Creches’, New Delhi
1993 Cymroza Art Gallery, Mumbai
1993 Glass Painting, Sakshi Gallery, Chennai
1993 Helpage Auction, Jehangir Art Gallery, Mumbai
1993 Shradha- Exhibition, Mumbai
1993 Souvenir De France, New Delhi
1992 ‘Wounds’, organized by Centre for International Modern Art (CIMA), Kolkata
1992 ‘Nest For Sparrow’, Artists’ Centre, Mumbai
1992 Arts Acre, Kolkata
1991 Indian Painting, Mainz, Germany
1990 Cymroza Art Gallery, Mumbai
1990 Sakshi Art Gallery, Chennai
1986 ‘Graphics Since 1965’, Lalit Kala Academy, Chennai
1985 Indian Print Making Today’, Jehangir Art Gallery, Mumbai
1977-80 ‘Group 8’, Chandigarh
Participations
2012 'Synergy 2012', 12th Anniversary Show, Tao Art Gallery, Mumbai
2010 'Contemporary Printmaking In India', presented by Priyasri Art Gallery, Mumbai at Jehangir Art Gallery, Mumbai; Priyasri Art Gallery, Mumbai
2010 'National Printmaking Portfolio', Marvel Art Gallery, Ahmedabad
2010 'Evolve: 10th Anniversary Show', Tao Art Gallery, Mumbai
2009 'Entity', Annual Exhibition, M.E.C Art Gallery, New Delhi
1991 International Print Biennale, Taiwan
1991 Print Biennale, Frechen, Germany
1990 Asian European Biennale, Turkey
1989 Bombay Art Society, Centenary Show, Mumbai
1989 Festival of India, Moscow
1989 Print Biennale, Yugoslavia
1989 Print Biennale, Cuba
1987,84 Print Biennale, Berlin
1986 Biennale of Contemporary Art, Bhopal
1985 Contemporary Print Making in India, U.S.A
1983 ‘India In Prints’, Tropen Museum, Amsterdam
1980 Third World Biennale, London
1979 Sixth British International Print Biennale, England
1977 Hyderabad Lalit Kala Academy, Hyderabad
1976 Print Biennale, Madrid
1976 Exhibition of ‘Atelier 17’, University of California, U.S.A
1976 Group Exhibition, Athens, Greece
1975 Print Biennale, France
Honours and Awards
1997 Awarded Travel Grant from British Council for Printmaking in...
1997 Awarded Travel Grant from British Council for Printmaking in UK
1994-96 Senior Fellowship, Ministry of Human Resource, New Delhi
1988 M. S. Randhawa Award, All India Fine Arts and Crafts Society (AIFACS), New Delhi
1988 National Award, Lalit Kala Akademi, New Delhi
1985 Award of All India Fine Arts and Crafts Society (AIFACS), New Delhi
1983-85 Research Fellowship, Ministry of Human Resource, New Delhi
1977 Group 8 Award
1975-76 French Government Scholarship, Worked under Sir S.W. Hayter At 'Atelier 17', Paris & Krishna Reddy
1973-75 Government of India Cultural Scholarship., Worked under Prof. K. G. Subramanyan
1974 Governors Gold Medal, Kolkata
1972 Chancellor's Gold Medal
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Her definition of Art
I believe in art which speaks a universal language - which has a life of its own - one with a certain degree of permanence which portrays the feel and flow of life with al its coloured nuances and experience. A life lived to the full. A certain 'playfullness' permeates my works and portrays a deep inner psyche of the female, its joys, its traumans, the language is sensual, not merely cerebral....
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Her definition of Art
I believe in art which speaks a universal language - which has a life of its own - one with a certain degree of permanence which portrays the feel and flow of life with al its coloured nuances and experience. A life lived to the full. A certain 'playfullness' permeates my works and portrays a deep inner psyche of the female, its joys, its traumans, the language is sensual, not merely cerebral. It has to have an instinctual relationship with nature and the world around us. Today one speaks of negating aesthetics - but can aesthetics ever be denied? Can be wiped out from this world, which is so varied and beautiful?
Her experience as a teacher
I am a painter/ printmaker and teaching at the faculty of Fine Arts since 1984.
The faculty of Fine Arts is a very unique institution in the country and widely known here and abroad. It is important when you are part of this institution to understand the ethics and ethos of the place. The institution was built by visionaries who had an understanding and perception of how a fine art faculty should function. As a part of an institution one has to question why this has happened and in future how best to sustain this identity and strive for excellence. As a teacher and artist I sincerely feel the importance of total dedication and commitment to the student and not collide with personal gains in the outer world of fame and success. Only then will an institution blossom.
The Pictorial Language in her works
The pictorial language of my works deal with myths and dreams - images from the real world and the subconscious with symbolic refrences - flying females which to me are associated with sexual desires, trees, fruits, etc. The female is not dormant but vibrates a latent power.
The Significance of Colour
Colour plays an important role forming a total art language. It is colour which speaks to me and has an instinctive relationship with the nature and the world around. Colours overlaps juxtapose slash each other creating a tremendous variety of tonality and movements through lines and textures.
On her experimentations in different mediums
The handling of multimedia has given me the flexibility in manipulating the potential of each of them. There is an organic interplay of energy between figures, objects and space. Each medium speaks its own language and expresses a significant expression within the frame through colour and line and the transparent psyche. The potential and challenge offered by various artistic mediums led me to try my hands on clay and bronzes in relief and relate graphically to this medium.I have no inhibition regarding any technique. The insatiable search by an artist is never ending and adds to the growth and individual philosophy of the visual language.
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PAST AUCTIONS
Showing
2
of
2
works
Lot 180
Details
Auction 2001 (December)
6-12 December 2001
Untitled
Oil on canvas
36 x 36 in
Winning bid
$1,000
Rs 47,500
(Inclusive of buyer's premium)
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PAST StoryLTD AUCTIONS
Showing
4
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11
works
EXHIBITIONS
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7
works
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