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Nalini Malani
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Born in 1946, Karachi, Nalini Malani received her education in the Fine Arts from Sir J.J. School of Art, Mumbai, India. She completed her graduation in 1969, and later went to Paris.
She is a senior multimedia artist with an extensive exhibition history. Her practice encompasses drawing and painting, as well as the extension of those forms into projected animation, video and film. Committed to the role of the artist as social activist,...
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Born in 1946, Karachi, Nalini Malani received her education in the Fine Arts from Sir J.J. School of Art, Mumbai, India. She completed her graduation in 1969, and later went to Paris.
She is a senior multimedia artist with an extensive exhibition history. Her practice encompasses drawing and painting, as well as the extension of those forms into projected animation, video and film. Committed to the role of the artist as social activist, Malani often bases her work on the stories of those that have been ignored, forgotten or marginalized by history.
She belongs to a generation of Indian artists who, in the 1980s, received prominence internationally. Primarily a figurative painter then she raised issues of race, class and gender through her work. Later, in the '90s, thanks to installations at the 1995 Johannesburg Biennial and other venues, she came to be known as a media artist. Based on German playwright Heiner Muller's adaptation of Euripides, her work 'Medeaprojekt' addressed sexual exploitation as an aspect of colonization. Combining theater, painting and video, the work situated Nalini Malani within a web of references both Eastern and Western, from Gandhi to Bataille.
She is committed to the role of the artist as a social activist. Her politically motivated works have been shown in major exhibitions in India, Japan, Australia, England, Cuba and South Africa and are represented in national museum collections worldwide. She has participated in several landmark international exhibitions, such as Century City (Tate Modern, 2000) and Unpacking Europe (Museum Boymans-van Beuningen, 2001). Her work Hamletmachine, included in Witnessing to silence was recently shown in a solo exhibition at the New Museum of Contemporary Art in New York.
The centerpiece of her New Museum show, Hamletmachine (2000), was created during a residency in Japan, again adapting a play by Muller, this time to critique Hindu nationalism. "India is Hamlet," she says, "never quite knowing which way to go, how to decide, and therefore making wrong decisions." The work consists of four video projections, three on walls and the fourth on a rectangular bed of salt on the floor. This last projection was a reference to Gandhi's Salt March of 1930 (a 24-hour walk protesting a government monopoly on the staple), but with swimming fish at times projected onto it, it also served as a metaphor for the unconscious depths.
Malani's distinguished watercolor books, drawings and oil paintings have been concerned with unpacking and reflecting on Western as well as Indian histories of violence and oppression, and her humanist paintings have been committed to opening up 'a place for people'. The artist's video and film works are an expansion of her practices in drawing and painting and in her multimedia installations Malani often utilizes her own drawings as projected animations.
Using texts that have been generated through the memories of people who are often ignored or marginalized in the cataloguing of history, Malani uses her art to draw attention to 'other' stories, with a focus on the universal and human aspects of conflict. In addition, her work has been deeply committed to raising a political consciousness of women's particular social experiences of vulnerability and oppression.
Her charged human forms constantly refer to various aspects of a woman's experience within a larger relationship network. Her earlier, autobiographical work, spoke of the woman within a dense fabric of family interactions. A wider canvas now shows symbolic manifestations of a woman as well as the destruction and despair within cities and amongst nations. She also deals with expressing relationships between the exploiter and the exploited on several levels, which have been seen in her more recent site-specific works.
She derives a lot of substance from what she reads and thinks if language is rightly orchestrated, it could prove a great source of painting ideas. Nalini Malani developed the habit of incorporating ideas -- generated from her reading material -- on her canvases early in her career. She has been quoted as saying: "I modeled my way of working like a novelist would. I would not write, I would paint a diary."
She has used his story Toba Tek Singh as a basis for many of her works. The books, Global Parasites by Winin Pereira and Geremy Seabrook and Tending The Earth by Winin Pereira, have deeply influenced her works. She based her series titled `The Mutants' on Pereira's findings about the earth.
Since 1993 she has diversified her practice to include installations. Her solo shows since 1998 include, in 2002-03: Hamletmachine (New Museum of Contemporary Art, New York) 2002: Recent Video Art: Nalini Malani (Apeejay Media Gallery, Delhi) 2000: The Sacred & The Profane (Sakshi Gallery, Mumbai) 1999: Remembering Toba Tek Singh (Prince of Wales Museum, Mumbai).
Her major group shows abroad include Istanbul Biennale (2003); Twentieth World Wide Video Festival (Amsterdam); in 2002-03: Asia Pacific Triennale (Brisbane); in 2001: 'Bombay/Mumbai 1992-2001' in Century City: Art and Culture in the Modern Metropolis (Tate Modern, London); Unpacking Europe (Museum Boijmans van Beuningen, Rotterdam); in 2000: Fukuoka Asian Art Museum (Japan); Third Kwangju Biennale (South Korea); Text & Sub-text (Earl Lu Gallery, Singapore); Seventh Havana Biennale; in 1999: Voiceovers (Art Gallery of New South Wales, Sydney); in 1998: Sixteenth World Wide Video Festival (Amsterdam); Private Mythology (The Japan Foundation Asia Center, Tokyo); in 1996: Second Asia Pacific Triennale (Brisbane); in 1995: First Johannesburg Biennale.
Kamala Kapoor and Amita Desai have published a monograph on her work. (Max Mueller Bhavan/Goethe Institute, 1997).
Nalini Malani lives and works in Mumbai.
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Born
1946
Karachi (now in Pakistan)
Education
1964-69 Diploma in Fine Arts, Sir J. J. School of Arts, Mumbai
Exhibitions
Selected Solo Exhibitions:
2014 'Transgressions', Asia...
Selected Solo Exhibitions:
2014 'Transgressions', Asia Society Museum, New York
2014 'You Can't Keep Acid in a Paper Bag', Kiran Nadar Museum of Art (KNMA), New Delhi
2014 'Cassandra's Gift', Vadehra Art Gallery, New Delhi
2013-14 'Listening to the Shades', Dr.Bhau Daji Lad Museum, Mumbai
2013 'In Search of Vanished Blood', Galerie Lelong, New York
2013 'Beyond Print - Memory, Transference, Montage', Le Centre de la Gravure et l'Image Imprimee, Belgium
2013 'Womantime', Art Musings, Mumbai
2012 'Mother India', Art Gallery of New South Wales, Sydney
2010 'Splitting the Other: Retrospective 1993-2009', Musée cantonal des Beaux-Arts, Lausanne, Switzerland; Chemould Prescott Road, Mumbai; Chatterjee and Lal, Mumbai
2009 The Govett- Brewster Art Gallery, New Plymouth, New Zealand
2009 'Cassandra', Galerie Lelong, Paris
2008 'Listening To The Shades', Arario Gallery, New York
2007 Irish Museum Of Modern Art, Dublin, Ireland
2007 Walsh Gallery,Chicago
2006 ‘Living in Alicetime’, Sakshi Gallery, Bombay and Rabindra Bhavan New Delhi, India
2005-06 ‘Exposing the Source: The Paintings of Nalini Malani, A retrospective exhibition’, Peabody Essex Museum, Salem Ma, U.S.A.
2004 ‘Stories Retold’, Bose Pacia, New York
2003 ‘Stories Retold’, Sakshi Gallery, Mumbai
2002/3 Hamletmachine, New Museum of Contemporary Art, New York
2002 ‘Recent Video Art’, Nalini Malani, Apeejay Media Gallery, New Delhi
2000 ‘When Krishna Opened His Mouth’, Gallery Chemould, Mumbai
2000 ‘The Sacred and The Profane’, Sakshi Gallery, Mumbai
1999 ‘Remembering Toba Tek Singh’, Video Installation, Prince of Wales Museum, Mumbai
1997 ‘The Job / 1996 Medea, Max Mueller Bhavan, Mumbai
1997 ’Mutants’, Artist's Books, Homage to Josef Albers, Sakshi Gallery and Gallery Espace, New Delhi
1996 ‘Free Trade Ephemeral’, site-specific work in a ship's container, 'Art Across The Oceans', Containers '96, Copenhagen, Denmark
1996 ‘Medea’, installation, Max Mueller Bhavan, Mumbai
1995 ‘Bloodlines’, works on canvas and paper; Artist's Laboratory Installation Gallery Chemould, Mumbai
1992 ‘City of Desires’, Gallery Chemould, Mumbai
1991-92 ‘Hieroglyphs’, Lohar Chawl and other works, Gallery Chemould and Jehangir Art Gallery, Mumbai, Sakshi Gallery, Bangalore and Chennai
1990 ‘Under The Skin’, Gallery 7, Mumbai
1980 Art Heritage, New Delhi
1966-86 Selected Works Biennale, Pundole Art Gallery, Mumbai
Selected Group Exhibitions
2016 'Tracing Myth', Vadehra Art Gallery, New Delhi
2012 'Gallery Collection', Vadehra Art Gallery, New Delhi
2012 'Loss for Words', Art Musings, Mumbai
2012 'Sightings', Sakshi Gallery, Mumbai
2011 'States of Departure: Progressives to Present Day', Aicon Gallery, London
2011 'Pause: A Collection', Sakshi Gallery, Mumbai
2011 'Tradition, Trauma, Transformation: Representations of Women by Chitra Ganesh, Nalini Malani, Nilima Sheikh', David Winton Bell Gallery List Arts Center, Providence RI
2010-11 'A Collection', Sakshi Gallery, Mumbai
2010 'Orientations: Trajectories in Indian Art', Foundation 'De 11 Lijnen', Oudenburg, Belgium
2010 Sakshi Gallery, Mumbai
2010 'Collection Show 2010', Arario Gallery, Seoul
2010 'Modern Folk: The Folk Art Roots of the Modernist Avant-Garde', Aicon Gallery, New York
2010 'Have I Opposed To You ? New Art from India and Pakistan', Faye Fleming & Partner, Geneva
2010 'Masters of Maharashtra', collection from Lalit Kala Akademi, New Delhi at Piramal Gallery, National Centre for the Performing Arts (NCPA), Mumbai
2009 'Indian Art After Independence: Selected Works from the Collections of Virginia & Ravi Akhoury and Shelley & Donald Rubin', Emile Lowe Gallery, Hempstead
2009 'MATER', Universidad de Jaén, Spain
2009 'Shifting Shapes, Unstable Signs', Yale School of Art, Connecticut, USA
2008-09 'Body Chatter: An Exhibition of Contemporary Indian Art', Walsh Gallery, Chicago
2008 'Anxious', Galerie Mirchandani + Steinruecke, Mumbai
2008 ‘Everywhere Is War (and Rumors of War)’, Bodhi Art, Mumbai
2008 'Still Moving Image', Devi Art Foundation, Gurgaon, New Delhi
2008 ‘Excavations: Memory, Myth, Membrane’, Art Musings, Mumbai
2008 ‘Freedom 2008 – Sixty Years of Indian Independence’, Centre for International Modern Art (CIMA), Kolkata
2008 'A Year in Drawing', Galerie Lelong - New York, New York, NY
2008 'New Narratives: Contemporary Art from India', Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ
2008 'New Narratives: Contemporary Art from India', Salina Art Center, Salina, KS
2007-08 ‘India Art Now: Between Continuity and Transformation’, Province of Milan, Milan
2007 ‘Horn Please: Narratives in Contemporary Indian Art’, Kunstmuseum Bern, Switzerland
2007 ‘Frame/Grid/Room/Cell’, Bodhi Art, Mumbai
2007 ‘Tiger by the Tail ! Women Artists of India Transforming Culture’, Women’s Studies Research Centre (WSRC), Brandeis University, USA in partnership with Indian Council for Cultural Relations, New Delhi
2007 ‘New Narratives: Contemporary Art from India’, Chicago Cultural Centre, Chicago, USA
2007 'Urban Manners', Hangar Bicocca, spazio d’arte contemporanea, Milan
2007 'India Oggi - Milano', Spazio Oberdan, Milan
2007 'Gateway Bombay', Peabody Essex Museum, Salem, MA
2007 'Edge of Desire: Recent Art in India', National Gallery of Modern Art (NGMA), Mumbai
2006 ‘Cinema of Prayoga’, Tate Modern, London.
2006 ‘Local Stories’, Modern Art, Oxford, U.K.
2005 T1 – The Pantagruel Syndrome, Castello di Rivoli Museo d'Arte Contemporanea, Turin , Italy
2005 ‘Edge of Desire’, The Asia Society, New York
2005 Crossovers & Rewrites: Borders over Asia, Museum of Contemporary Art, World Social Forum, Porto Alegre, Brazil
2004 Crossing Currents-video art and cultural identity, Lalit Kala Akademi Galleries, New Delhi
2004 ‘La Nuit Blanche’, Paris
2004 ‘Edge of Desire’, Art Gallery of Western Australia, Perth: The Asia Society, New York
2004 ‘Zoom’, Museu Temporario, Lisbon
2003 ‘Body .City’, House of World Culture, Berlin
2003 Multi Media Art Asia Pacific, Millennium Monument, Beijing
2001 ‘Unpacking Europe’, Museum Boijmans Van Beuningen, Rotterdam
2001 ‘Century City’, Tate Modern, London
2000 ‘Text and Sub-Text’, Earl Lu Gallery, Singapore
2000 ‘Hamletmachine’, Fukuoka Asian Art Museum, Fukuoka
1999 ‘The Sacred and the Profane’, Theater der Welt, Berlin
1999 ‘Another Landscape’, Kaouru Hirabayashi, Judith Wright, Nalini Malani, Max Mueller Bhavan, Mumbai, Institute of Modern Art, Brisbane
1999 ‘Watermark’, Fine Art Resource Bombay, Jehangir Art Gallery. Mumbai
1998 ‘Global liquidities’, collaborative exhibition with Fiona Hall, Gallery Chemould, Mumbai; Roslyn Oxley9, Sydney; Institute of Modern Art, Brisbane
1998 ‘Traditions/Tensions’, Perth, Australia
1998 ‘Another Landscape’, Gallery Lunami, Galleria Finearte, Kawaguchi Museum, Tokyo
1998 ‘Remembering Toba Tek Singh,’ video installation, sponsored by The Prince Claus Fund, The Netherlands. Exhibited at the 16th World Wide Video Festival, Amsterdam
1998 ‘Artists for a Sustainable World’, fund-raising exhibition for the displaced people of the Narmada River region
1998 ‘Plastics (and other Waste)’, Asia-Pacific Artists Solidarity exhibition, Chulalongkorn University, Bangkok.
1998 Private Mythologies, Japan Foundation Asia Centre, Tokyo
1997-98 ‘Out of India’, Queens Art Museum, New York
1997 ‘Fifty Years of Contemporary Indian Art’, National Gallery of Modern Art (NGMA), New Delhi
1997 ‘Self and the World’, National Gallery of Modern Art (NGMA), New Delhi
1997 ‘Mappings, Indo-Pakistani exhibition, Delhi, Mumbai and Lahore
1997 ‘Women Artists of India’, Mills College Art Gallery, Oakland, California
1996 ‘Traditions/Tensions’, The Asia Society, New York
1995 ‘Inside-Out’, Contemporary Women Artists from India, Middlesbrough Art Gallery, Middlesbrough, U.K
1995 ‘Postcards for Gandhi’, A Sahmat travelling exhibition
1994 ‘Parallel Perception’s, Sakshi Gallery, Mumbai
1993 Anhad Garje, a collective 3000cms. Canvas. A Sahmat exhibition and concert, Mumbai
1993 ‘India Songs’, Art gallery of New South Wales, Sydney
1993 ‘A Critical Difference’, Aberyswyh Art Centre, travelling exhibition in the U.K; Chapters Art Centre, Cardiff; Oriel Mostyn, Llandudno; Camden Arts Centre, Liverpool; Huddersfield City Art Gallery, Huddersfield
1992 ‘Journey within landscapes’, Sakshi Gallery, Jehangir Art Gallery, Mumbai
1991 ‘Artists against Communalism’, Words and Images, a traveling exhibition
1990 ‘Splash’, Gallery Chemould, Mumbai
1987-89 ‘Through the Looking Glass’, Bharat Bhavan, Bhopal, Jehangir Art Gallery, Mumbai, Shridharani Gallery, New Delhi, Kala Yatra, Bangalore, Centre for Contemporary Art, New Delhi
1987 ‘Coups de Coeur’, Halle Sud. Geneva, Switzerland
1985 ‘Les Artistes Etrangers en France’, Festival of India, Centre National Des Arts Plastiques, Paris
1982 ‘7 Indian Artists’, Galerei Bollhagen, Worpswede, Kubus, Hanover, Amerika-Haus, Hamburg, Iwalewa,-Haus, Bayreuth, Germany
1982 ‘Myth and Reality’, Museum of Modern Art, Oxford, U.K
1977’Pictorial Space’, Lalit Kala Akademi, New Delhi
Joint Exhibitions
2009-10 'The Himalaya Project', with Wang Jianwei at Aario Beijing, China
Participations
2013 'The Sahmat Collective: Art and Activism in India since 1989', Smart Museum of Art at University of Chicago, Chicago
2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi
2012-13 'Re-picturing the Feminine: New and Hybrid Realities in the Artworld', Gallery OED, Kochi
2012-13 Kochi-Muziris Biennale 2012, Kochi
2012 'Indian Highway VI', organized in collaboration with the Serpentine Gallery, London, and the Astrup Fearnley Museet, Oslo, Norway at The Ullens Center for Contemporary Art (UCCA), Beijing
2012 'dOCUMENTA (13)', Kassel
2012 'The Calendar Project: Iconography in the 20th Century', part of Project CINEMA CITY: Research Art & Documentary Practices presented by National Gallery of Modern Art (NGMA) and Ministry of Culture, Government of India at National Gallery of Modern Art (NGMA), Mumbai
2012 'Lines of Control', co-organized by Green Cardamom at Herbert F. Johnson Museum of Art, Ithaca
2011-12 'India: Lado a Lado / Arte Contemporânea Indiana (India: Side by Side / Indian Contemporary Art)', part of the Exhibition ÍNDIA! presented by Brazilian Ministry of Culture and Banco do Brasil at Centro Cultural Banco do Brasil, Rio de Janeiro; Centro Cultural Banco do Brasil, São Paulo; SESC Belenzinho, São Paulo and Centro Cultural Banco do Brasil, Brasília
2011-12 'The Body Unbound', Rubin Museum of Art, New York
2011-12 'Indian Highway', in collaboration with the Serpentine Gallery, London and the Astrup Fearnley Museum of Modern Art, Oslo at MAXXI: Museum of XXI Century Arts, Rome
2011 'Paris-Delhi-Bombay', Centre Pompidou, Paris
2011 'Concurrent India', Helsinki Art Museum Tennis Palace, Finland
2011 'Goddess, Lion, Peasant, Priest: Modern and Contemporary Indian Art', from the Collection of Shelley and Donald Rubin at Oglethorpe University Museum of Art, Atlanta
2011 'Time Unfolded', Kiran Nadar Museum of Art (KNMA), New Delhi
2010 'Finding India: Art for the New century', presented by Sakshi Gallery at Museum of Contemporary Art (MOCA), Taipei
2010 'FIAC 2010', Paris represented by Galerie Lelong, Chemould Prescott Road
2010 'Contemporary Printmaking In India', presented by Priyasri Art Gallery, Mumbai at Jehangir Art Gallery, Mumbai; Priyasri Art Gallery, Mumbai
2010 'Manifestations IV', Delhi Art Gallery, New Delhi
2010 'Roots', 25th Anniversary Exhibition of Sakshi Art Gallery, Mumbai at The Park, Chennai
2009-10 'Taswir: Pictorial Mappings of Islam and Modernity', Martin Gropius Bau, Berlin
2009 'Conflicting Tales: Subjectivity (Quadrilogy, Part 1)', Burger Collection, Berlin
2009 'How Nations are Made', Green Cardamom, London
2009 'ARCOmadrid', Spain presented by curator Bose Krishnamachari for 'Panoroma: India'
2009 'Indian Narrative in the 21st Century: Between Memory and History', Casa Asia, Madrid
2009 'Contemporary Art from India', Palais Benedictine, Fecamp, France supported by Gallerie 88, Kolkata
2009 'Lines of Control', A Green Cardamom Project at The Third Line, Dubai; VM Gallery, Karchi; Green Cardamom, London
2008-09,10,11 'Indian Highway', a Traveling Exhibition presented in Collaboration with Astrup Fearnley Museum of Modern Art, Oslo at Serpentine Gallery, London; Herning Museum of Contemporary Art (HEART), Herning, Denmark; Reykjavik Art Museum, Reykjavik, Iceland; Lyon Museum of Contemporary Art, Lyon
2008-09 ''Modern India', organized by Institut Valencià d'Art Modern (IVAM) and Casa Asia, in collaboration with the Ministry of Culture at Valencia, Spain
2008 16th Biennale of Sydney, Sydney
2008 'SHContemporary 2008', represented by Bodhi Art
2008 'A Perspective on Contemporary Art 6: Emotional Drawing', The National Museum of Modern Art (MOMAT), Tokyo
2008 Prospect.1 New Orleans Biennial, New Orleans, Louisiana
2007 ‘Think with the Senses – Feel with the Mind’, Art in the Present Tense, 52nd Venice Biennale, Venice, Italy
2006 'Dirty Yoga', at 'Taipei Biennial 2006, Taipei Biennial, Taipei
2005 51st Venice Biennale
2005 7th Sharjah Biennale, U.A.E.
2004 ‘Poetic Justice’, Istanbul Biennale
2004 ‘Media_City’, Seoul International Media Art Biennale, Seoul Museum of Art, Seoul, South Korea
2003,00,1998 World Wide Video Festival, Amsterdam
2003 Kalaghoda City Festival, Mumbai
2002, 1996 Asia – Pacific Triennial, Queensland Art Gallery, Brisbane
2000,1987 Havanna Biennial, Havanna
2000 Gwangju Biennial, Guwangju, South Korea, Asian section
1997 2nd Asia-Pacific Triennial, Brisbane
1995 1st Africus Biennale, Johannesburg, South Africa
1987 Bienal de la Habana, National Museum, Havana, Cuba
1982 ‘Contemporary Indian Art, Festival of India, Royal Academy of Art, London
1977 The International Festival of Arts, Cagnes-sur-Mer, France
1976 Festival of Perth, Perth, Australia
1969 Fifth International Young Artists Exhibition, Tokyo, Japan
Installation/Performance Collaborations
1998 'Global Liquidity & 23 images of the Avon Lady: Artists’ Books with Australian Artist Fiona Hall
1996-97 A project with Dr. Anuradha Kapur, theatre director. Performance/installation, Based on Bertolt Brecht's short story, The Job or By the Sweat of Thy Brow Thou Shalt Fail to Earn Thy Bread. Sponsors and producers, Max Mueller Bhavan, Mumbai, National Centre of Performing Arts (NCPA), Gallery Chemould & Sakshi Gallery, 6 shows in Mumbai, One Show in New Delhi.
1993-94 A project with Alaknanda Samarth, theatre actress and director. Performance/installation based on Heiner Mueller's Medeamaterial, A Max Mueller Bhavan production, Mumbai
Video Films by the Artist
2007 'Remembering Mad Meg', Video Shadow Play of Two Single Channel Animations, A Series of Lights and 8 Rotating Reverse Painted Lexan Cylinders, Sound, 3 min.
2005 'Mother India: Transactions in the Construction of Pain', Five Channel Video Play, Sound, 5 min.
2003 Unity in Diversity single channel video supported by Sakshi Gallery and Kalaghoda Art Festival, Mumbai.
2000-01 Trangressions a video/shadow play. Sponsored by the Museum Boijmans van Beuningen, Rotterdam, Netherlands.
1998-99 Remembering Toba Tek Singh video installation 20 minutes , 3 wall projections [one split screen projection], 12 monitors, 12 tin trunks, 12 quilts, wall to wall mylar, mirrors, sound, text.
1996 Memory: Record/Erase single channel work, on Betacam video, 10- 1/2 minutes.
1994 Medeamaterial single channel work, on Betacam video, 58 minutes.
1992 City Of Desires single channel work, on high band U-Matic video, 18-1/2 minutes.
Honours and Awards
2013 Fukuoka Arts and Culture Prize
2005 Lucas Art Residencies,...
2013 Fukuoka Arts and Culture Prize
2005 Lucas Art Residencies, Montalvo Ca., USA
2003 Civitella Ranieri, Italy
1999-2000 Fukuoka Asian Art Museum, Artist in Residence Program
1999 Lasalle-Sia College of the Arts Artist in Residence
1989-91 Senior Fellowship, Govt. of India
1989 USIA Fellowship for extensive travel in the USA
1989 Fund For Artists Colonies, Residency Fellowship, Provincetown, MA, USA
1970 -72 French Government Scholarship, Paris
1984-87 Junior Fellowship, Govt. of India
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Bloodlines
Oil on canvas
84 x 44 in
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