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A A Almelkar
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Abdul Rahim Almelkar believed that he must have learnt painting when he was still in his mother`s womb, much like Arjuna`s son Abhimanyu in the Mahabharat. "My mother was busy embroidering all through her pregnancy and I probably inherited art from her at that stage," he says.
Born in Solapur, (in Maharashtra) he began painting at the young age of seven. After a conventional education in a local school, he joined the Sir J. J. School...
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Abdul Rahim Almelkar believed that he must have learnt painting when he was still in his mother`s womb, much like Arjuna`s son Abhimanyu in the Mahabharat. "My mother was busy embroidering all through her pregnancy and I probably inherited art from her at that stage," he says.
Born in Solapur, (in Maharashtra) he began painting at the young age of seven. After a conventional education in a local school, he joined the Sir J. J. School of Arts in Mumbai. During his student years, he won several awards at shows organized by the Art Society of India and the Bombay Art Society.
Almelkar considered Khatri, a folk painter from Gujarat, as his true teacher. Khatri instilled into the young aspirant a pursuit for perfect draftsmanship. "In those days, there was `no inner eye and outer eye`. A single vision informed the work of most artists," says Almelkar. He belonged to a tradition of stylized "Indian" paintings; with a lot of detailing and elements from miniature art tradition that were at its peak when he was still studying at the art college.
Like all erstwhile artists, he branched out early in his career and evolved his own style. Ordinary folk, fishermen and tribal people were central to most of his works. He presented the tribal people against the background of simple decorative motifs that they used to beautify their homes with and which also had religious meanings. Almelkar often traveled in the jungles of Vidharbha, (in Maharashtra) sketching birds and trees in sanctuaries and the colorful tribal people inhabiting those localities.
Keeping in mind the fundamentals of drawing, he did both naturalistic as well as figurative studies, with just a touch of stylization to accommodate a folk style. It recalls to the mind traditional Javanese Art, which in turn has been influenced by the art of greater India.
Applying colors with his fingers and finishing the work with a clear outline in waterproof ink, he retained a sense of lndianess in his depictions, which in almost all cases were simple portrayals of people. He also experimented with cardboard as the base of his works. Almelkar often used the paste of cowries to import a shine to the surface of his paintings.
Almelkar was the Principal of a private art institute called `Nutan Kala Mandir` in Bangalore. He later joined as a lecturer at the Sir J.J School of Arts in 1968. His shows won acclaim in Malaysia and in other Asian capitals too. Almelkar passed away on December 1982 at the age of 62.
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Born
1920
Died
1982
Education
1968 Joined as Lecturer, Sir J J School of Art, Mumbai
1948 Government Diploma in Drawing & Painting, Sir J J School of Art, Mumbai
1948 Principal, Nutan Kala Mandir, Mumbai
1935-40 Art Education under Shri G S Dandavatimath, Nootan Kalamandir, Mumbai
Intermediate Grade Drawing examination, Sholapur, Maharashtra
Exhibitions
Selected Posthumous Exhibitions
2013 'The Naked and the Nude:...
Selected Posthumous Exhibitions
2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi
2011 'Drawings', Apparao Galleries, Chennai
2010 ‘Manifestations IV', Delhi Art Gallery, New Delhi
2010 'Masters of Maharashtra', collection from Lalit Kala Akademi, New Delhi at Piramal Gallery, National Centre for the Performing Arts (NCPA), Mumbai
2009 'Indian Art After Independence: Selected Works from the Collections of Virginia & Ravi Akhoury and Shelley & Donald Rubin', Emile Lowe Gallery, Hempstead
2003 ‘Manifestations’, organized by Delhi Art Gallery, Mumbai & New Delhi
Selected Solo Exhibitions
1982 Jehangir Art Gallery, Mumbai
1954 Paintings, From Ashes to Life, Mumbai
40 Solo Exhibitions in India and various other countries viz. Ceylon, Malaysia, Singapore, Indonesia, Thailand etc.
Participations
1966 National Art Exhibition, Lalit Kala Akademi, New Delhi.
1955 Lalit Kala Akademi, New Delhi.
1954 xxvii Biennale Internazionale d'Arte di Venezia, Venice
1953 Annual Exhibition, Bombay Art Society, Bombay
1948 Bombay Art Society, Mumbai
Since 1940, participated in Annual Exhibitions, Bombay Art Society, Mumbai
Participated in All India Exhibitions at Mumbai, New Delhi, Hyderabad, Chennai, Amritsar, Mysore, Ahmedabad etc.
Honours and Awards
1977 Painted A Happy Family, Passing Through a Beautiful Garden, for The...
1977 Painted A Happy Family, Passing Through a Beautiful Garden, for The 15th International Congress of Paediatrics, New Delhi.
Received 20 Gold Medals, 24 Silver Medals & several cash prizes.
Invited as State Guest to Malaysia to deliver several lectures.
Publications include articles in 'Dharmayug' (Hindi), 'Kirloskar'. 'Manohar', 'Mouj' (Marathi), 'Prajavani' (Kannadl. 'Hindustan', 'Janashakti', 'Sandesh' (Gujarati).
1956,60 National Award, Govt. of India.
1955 Trophy, ASI. Bombay. Award from Dr. Rajendra Prasad, IInd National Art Exhibition, Lalit Kala Akademi, New Delhi.
1954 Gold Medal, Bombay Art Society, Mumbai
1948 Governor's Prize, Bombay Art Society Diamond Jubilee Exhibition, Mumbai
1941-53 Commercial Artist, Express Block & Engraving Studio, Mumbai
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Lot 75
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Untitled (Two Women)
Watercolour and gouache on paper
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Untitled
Gouache on cardboard pasted on mount board
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